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Updated: June 17, 2025
You take a boy out of school; you set him to book-reading, give him Shakespere and a Bible, set him sailing in the air with the poets; drench him with painter's dreams, via, Titian's carmine and orange, Veronese's rippling brocades, Umbrian morning skies, and Tuscan hues wrought of moonbeams and flowing water anon you turn him adrift in Italy, a country where all poets' souls seem to be caged in crystal and set in the sun, and say "Here, dreamer of dreams, what of the day?"
And for him she had no geographical associations; unless with Crete, or Alexandria, or Veronese's Venice. She was the immortal conception, the perennial theme. The first break in Hedger's lethargy occurred one afternoon when two young men came to take Eden Bower out to dine. They went into her music room, laughed and talked for a few minutes, and then took her away with them.
I need not say I shall be very happy to hear from you during your sojournment abroad. Especially tell me what your impressions are when you turn from David's picture with Romulus and Tatius in the foreground, and Paul Veronese's Marriage at Cana directly opposite, at the entrance of the picture gallery in the Louvre. We are all well and all desire to be remembered.
The great victory of Lepanto, gained by the united fleets of Spain and Venice over the Turk on the 7th of October 1571, gave fitting occasion for one of Paolo Veronese's most radiant masterpieces, the celebrated votive picture of the Sala del Collegio, for Tintoretto's Battle of Lepanto, but also for one of Titian's feeblest works, the allegory Philip II. offering to Heaven his Son, the Infant Don Ferdinand, now No. 470 in the gallery of the Prado.
Her throne stands no longer in the sacred place of some inner sanctuary, where angel choristers make music. It is an elevated platform, at one side of the composition, as in Titian's Pesaro altar-piece, and Veronese's Madonna in the Venice Academy. This gives an opportunity for a display of elaborate draperies, such as we may see in Veronese's picture.
Unconsciously he gripped her hand, and she returned his pressure; and they stood, as chance willed it, alone, free from circumambulant tourists, in the vast chamber, vivid with Paul Veronese's colour on wall and ceilings, with Tintoretto and Bassano' with the arrogant splendour of the battles and the pomp and circumstance of victorious armies of the proud and conquering republic, and their eyes were drawn from all this painted and riotous wonder by the long arresting frieze of portraits of serene, masterful and subtle faces.
Looking at the engraving, and hearing of Paul Veronese's amiability and piety, one has little difficulty in thinking of the magnificent painter, as a single-hearted, simple-minded man, neither vain nor boastful, nor masterful save by the gift of genius.
This was all! The other strange spectacle was at Stafford House, April 13, 1864, when, in a palace gallery that recalled Paolo Veronese's pictures of Christ in his scenes of miracle, Garibaldi, in his gray capote over his red shirt, received all London, and three duchesses literally worshipped at his feet.
Paul Veronese's cat in "The Marriage at Cana" is fearfully and wonderfully made, and even Rembrandt failed when he tried to introduce a cat into his pictures. Rosa Bonheur has been wise enough not to attempt cat pictures, knowing that special study, for which she had not the time or the inclination, is necessary to fit an artist to excel with the feline character.
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