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The main arches in the two bays are not pointed, but round, like those in the nave and choir; but, unlike the latter, they have deeply cut mouldings in three orders. The triforium arcade above, on the north and south sides, has moulded and carved details of a similar character. Some of the beautifully carved figure-work still remains in the spandrels between the subsidiary pointed arches.

These were constructed in two series, one being concealed under the sloping roof over the triforium and acting in place of the earlier round-arched abutment. Its supports were provided at the points where the transverse and diagonal arches of the nave vault began to spring away from the vertical plane of the walls.

The frames of the entire windows are later work, having no attachment or bonding to the jambs, as is clearly manifested to the eye." These windows rise as high as the top of those of the triforium. Above is a round-headed window with a slightly smaller arch on each side, with cushion capitals. The gable itself is designedly made to resemble one of the gables of the west front.

Below the triforium somebody had had the ingenious idea of employing these hearts to trace in tall letters the various words which the Blessed Virgin had addressed to Bernadette; and thus, around the nave, there extended a long frieze of words, the delight of the infantile minds which busied themselves with spelling them.

The inside of the church is in singular contrast to the floridness of the outside. The clustered piers are exceptionally large and tall; there is no triforium, and the side windows are set so far back as to be scarcely seen. The capitals have elaborate Gothic foliage, but are so square as to look at a distance almost romanesque.

The #Central Tower#, the oldest and probably most interesting part of the church, consists of four stages, of which the three lower ones are open to the church. The lowest of these was undoubtedly part of the original Norman church; the second or triforium was soon added.

This is the first example of this treatment, which was so happily followed in the naves of Winchester and Canterbury, in an English cathedral. In earlier examples, even where the triforium was decisively divided into bays and had ceased to be a continuous arcading, it was absolutely independent of the clerestory, as in the transepts of the minster.

The centre lights of the triforium in each bay originally contained figures, said to have been the patron saints of European nations. Of these there only remains a figure in the fourth bay from the west on the south side. Near the triforium in the opposite bay to this there projects the head of a dragon carved in wood, from which the covering of the font used to hang.

Above the windows comes the moulded string or cornice continued from the transept, and above this the pierced merlons of the Decorated battlement are again very broad in proportion to the embrasures. Instead of being built up, the exposed arches of the triforium have here been glazed.

"I think it looks very nice hanging there," declared Diana, nodding at her Union Jack. "My dear," said Mrs. Fleming in a shaky voice, "if you knew what I suffered when I saw you creeping along the triforium you couldn't speak so lightly. It isn't right to risk your life in this fashion." Diana tried to carry the matter off airily, but the boys were grumpy and would not speak.