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Though this great work excited transports of enthusiasm in Paris, it was interdicted in many of the cities of Southern Europe on account of the subject being a disagreeable one to ardent and bigoted Catholics. In London it has always been the most popular of Meyerbeer's three great operas, owing perhaps partly to the singing of Mario and Grisi, and more lately of Titiens and Giuglini.
Titiens sang successively in the characters which she had interpreted during her previous visit to London, adding to them the magnificent rôle of Norma, whose breadth and grandeur of passion made it peculiarly favorable for the display of her genius.
Titiens confined her repertory to a few operas such as "Trovatore," "Norma," "Don Giovanni," "Semiramide," etc., where dramatic greatness is even more essential than those dulcet tones so apt to vanish with the passage of youth. As an oratorio singer, she held a place to the last unequaled in musical annals. In 1875 Mlle.
Lumley, had heard of Mlle. Titiens and the sensation she had made in Germany. So he hastened to Vienna, and made the most lavish propositions to the young singer that she should appear in his company before the London public. She was unable to accept his proposition, for her contract in Vienna had yet a year to run; but, after some negotiations, an arrangement was made which permitted Mlle.
Her Early Musical Training. First Appearance in Opera in "Lucrezia Borgia." Romance of her Youth. Rapid Extension of her Fame. Receives a Congé from Vienna to sing in England. Description of Mlle. Titiens, her Voice, and Artistic Style. The Characters in which she was specially eminent. Opinions of the Critics. Her Relative Standing in the Operatic Profession.
Though this classic masterpiece was not repeated often, and did not become a favorite with the English public on account of the old-fashioned austerity of its musical style, Titiens achieved one of the principal triumphs of her life in embodying the character of the Colchian sorceress as expressed in song.
Titiens visited America, on a concert and operatic tour which embraced the principal cities of the country. She was well received, but failed, through the very conditions and peculiarities of her genius, to make that marked impression on the public mind which had sometimes, perhaps, been achieved by artists of more shallow and meretricious graces. The voice of Mlle.
"But play me that lovely air which Titiens sings in Il Flauto Magico." Agnes was too ill to appear at the Duchess of Pevensey's dinner that evening. Lord Reckage's melancholy, absent air during the entertainment, and his early withdrawal from the distinguished party, were referred, with sympathy, to the very proper distress he felt at Miss Carillon's tiresome indisposition.
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