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You hear, mamma, how fancy Gina Berg? We go hear her, eh?" There was about Miss Gina Berg, whose voice could soar to the tirra-lirra of a lark and then deepen to mezzo, something of the actual slimness of the poor, maligned Elsa so long buried beneath the buxomness of divas. She was like a little flower that in its crannied nook keeps dewy longest. "How do you do, Leon Kantor?"

Encore him, and he plays you a national piece. A dark little creature a Life- guardsman could hold-up on his outstretched hand for the fifteen minutes of the performance; but he fills the hall and thrills the heart, wafts you to heaven; and does it as though he were conversing with his Andalusian lady-love in easy whispers about their mutual passion for Spanish chocolate all the while: so the musical critic of the Tirra-Lirra says.

Encore him, and he plays you a national piece. A dark little creature a Life-guardsman could hold-up on his outstretched hand for the fifteen minutes of the performance; but he fills the hall and thrills the heart, wafts you to heaven; and does it as though he were conversing with his Andalusian lady-love in easy whispers about their mutual passion for Spanish chocolate all the while: so the musical critic of the Tirra-Lirra says.

You hear, mamma, how fancy Gina Berg? We go hear her, eh?" There was about Miss Gina Berg, whose voice could soar to the tirra-lirra of a lark and then deepen to mezzo, something of the actual slimness of the poor, maligned Elsa so long buried beneath the buxomness of divas. She was like a little flower that in its crannied nook keeps dewy longest. "How do you do, Leon Kantor?"

"'Oh, husband! husband! she cried, getting up and wringing her cold little hands. 'You will never find me, and your poor wicked wife will die of cold and hunger. "Tirra-lirra! tirra-lirra! What was that sounding in the forest? Surely surely it was a hunting horn. But who could be blowing it so early in the cold gray morning, when it was scarcely light?

And from the heart of the flaring cup rose and soared a lark, drunk with the berries and the sun. And Christophe's soul was like the lark. It knew that it would soon come down to earth again, and many times. But it knew also that it would unwearyingly ascend in the fire, singing its "tirra-lirra" which tells of the light of the heavens to those who are on earth below.

The teller seemed to have been listening to the voice of Fate, and whether, Guinevere swayed the bridle-rein, or Elaine's web flew out and floated wide, or Lancelot sang tirra-lirra by the river, it was asserted with the positiveness of a Hebrew chronicle, which we do not question because it is history. But we hardly have such an illusion in reading the late Idyls.