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The author, says Langbaine, has imbellished this Play with several fancies from other Writers, which he has appositely brought in, as the Story of the Contention between the Musician and the Nightingale, described in Strada's academical Prolusions, Lib. ii. Prol. 6. Love's Sacrifice, a Tragedy, received generally well, acted by the Queen's Servants, at the Phoenix in Drury-Lane; printed 4to.
But it was as little objected by others, as dreamed of by the poet himself, that he preferred careless and prosaic lines on rule and of forethought, or indeed that he pretended to any other art or theory of poetic diction, except that which we may all learn from Horace, Quinctilian, the admirable dialogue, De Oratoribus, generally attributed to Tacitus, or Strada's Prolusions; if indeed natural good sense and the early study of the best models in his own language had not infused the same maxims more securely, and, if I may venture the expression, more vitally.
One of his workmen, a German, here hit upon a strange invention, if Strada's description of it is to be credited. He affixed a sail under the vessel, which was to be acted upon by the water, just as an ordinary sail is by the wind, and could thus impel the ship with the whole force of the current.
One of his workmen, a German, here hit upon a strange invention, if Strada's description of it is to be credited. He affixed a sail under the vessel, which was to be acted upon by the water, just as an ordinary sail is by the wind, and could thus impel the ship with the whole force of the current.
One of his workmen, a German, here hit upon a strange invention, if Strada's description of it is to be credited. He affixed a sail under the vessel, which was to be acted upon by the water, just as an ordinary sail is by the wind, and could thus impel the ship with the whole force of the current.
Even Crashaw, whose translation of Strada's "Music's Duel" is a masterpiece for litheness of phrase and sinuous suppleness of rhythm, quails before the "Dies Irae," and contents himself with a largely watered paraphrase. No one has ever yet succeeded more than tolerably with the opening stanza,
What had the Guardian of the Lizards to do with clubs of tall or of little men, with nests of ants, or with Strada's prolusions?
Miss Denham," added, he laughing, "had more wit than your Strada's nightingale. Instead of dropping down dead on the lute for envy, she thought it better to run away with the lutanist for love. I pity the poor girl, however, who has furnished such a commentary to our text, and who is rather the victim of a wretched education than of her own bad propensities."
Everything has its caprices, and there are some books which might be expected to be equally shy, but in reality, by some inexplicable fatality, are as plentiful as blackberries. Such, for instance, are Famianus Strada's History of the Dutch War of Independence one of the most brilliant works ever written, and in the very best Latin after Buchanan's.
With regard to the "Glanville papers," we cannot speak positively, never having seen them, or even heard of them. If an allusion is intended to the "State Papers of Cardinal Granvelle," we admit that these were not Strada's only authorities; in fact, they were not his authorities at all; he never had the opportunity of consulting them. "Robertson's convent life of Charles V.," Mr.
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