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Updated: May 9, 2025


We have now to explain the ambiguity in the word "place," and how it comes that two places of different sorts are associated with every sense-datum, namely the place at which it is and the place from which it is perceived. The theory to be advocated is closely analogous to Leibniz's monadology, from which it differs chiefly in being less smooth and tidy.

When I see a colour or hear a noise, I have direct acquaintance with the colour or the noise. The sense-datum with which I am acquainted in these cases is generally, if not always, complex. This is particularly obvious in the case of sight.

In this kind of judgement the sense-datum contains constituents which have some relation to each other, and the judgement asserts that these constituents have this relation. Another class of intuitive judgements, analogous to those of sense and yet quite distinct from them, are judgements of memory.

Considered as physical objects, the thunder and lightning are simultaneous; that is to say, the lightning is simultaneous with the disturbance of the air in the place where the disturbance begins, namely, where the lightning is. But the sense-datum which we call hearing the thunder does not take place until the disturbance of the air has travelled as far as to where we are.

There is some difficulty in deciding what is to be considered one sense-datum: often attention causes divisions to appear where, so far as can be discovered, there were no divisions before.

It would seem that there are two kinds of self-evident truths of perception, though perhaps in the last analysis the two kinds may coalesce. First, there is the kind which simply asserts the existence of the sense-datum, without in any way analysing it.

This multiplicity of private spaces, however, though interesting to the psychologist, is of no great importance in regard to our present problem, since a merely solipsistic experience enables us to correlate them into the one private space which embraces all our own sense-data. The place at which a sense-datum is, is a place in private space.

But when we do this, the possibility of distinguishing the sensation from the sense-datum vanishes; at least I see no way of preserving the distinction. Accordingly the sensation that we have when we see a patch of colour simply is that patch of colour, an actual constituent of the physical world, and part of what physics is concerned with.

For example, I can see at a glance the whole of the page on which I am writing; thus the whole page is included in one sense-datum. But I perceive that some parts of the page are to the left of other parts, and some parts are above other parts.

Zeno made this manifest; so the infinity which our intellect requires of the sense-datum is thus a future and potential rather than a past and actual infinity of structure. The datum after it has made itself must be decomposable ad infinitum by our conception, but of the steps by which that structure actually got composed we know nothing.

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