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Updated: May 13, 2025
No one before Van Huysum attained so perfect a manner of representing the beauty of flowers and the down and bloom of fruit; for he painted with greater freedom than Velvet Breughel and Mignon, with more tenderness and nature than Mario di Fiori, Andrea Belvedere, Michel de Campidoglio or Daniel Seghers; with more mellowness than de Heem, and with more vigour of colouring than Baptist Monoyer.
I made my first venture there with my Symphony in E flat which I wrote when I was seventeen. In order to get the committee to adopt it, Seghers offered it as a symphony by an unknown author, which had been sent to him from Germany. The committees swallowed the bait, and the symphony, which would probably not had a hearing if my name had been signed, was praised to the skies.
Love of art sufficed us, but the singers and instrumentalists were not satisfied with that in the absence of all emoluments. If Seghers had been adaptable, he might have secured resources, but that was not his forte. Meyerbeer wanted him to give his Struensée and Halévy wanted a performance of his Prométhée.
At last it occurred to me to look for what I wanted in one of the cites through which no vehicle seemed to drive, and I decided to engage rooms in the Cite de Provence. True to the plans which had been forced upon me, I at once called on Herr Seghers about the performance of the Tannhauser Overture.
When Liszt was teaching Madame Seghers, he came to appreciate her husband's real worth and entrusted his daughter's musical education to him. This is sufficient indication of the esteem in which Liszt held Seghers.
I sketched out the complete scenario with precise indication of the dialogue for three acts, and with a heavy heart decided to hand it over to my Parisian author to be worked out. Liszt thought he saw a means of making my music known through his relations with Seghers, the musical director of a society then known as the 'Concerts de St.
As to Prométhée, even if the last part is not in harmony with the rest of it, the work was well worthy the honor of a performance, which the proud society in the Rue Bergère had accorded it. By these refusals Seghers was deprived of the support of two powerful protectors. Pasdeloup craftily took advantage of the situation.
Seghers managed to assemble an excellent and sizable orchestra and he also secured soloists who were young then but who have since become celebrities. The orchestra was poorly paid and also very unruly. I have seen them rebel at the difficulties in Beethoven, and it was even worse when Seghers undertook to give Schumann who was considered the ne plus ultra of modernism.
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