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She grew up on the stage, and was trained by her father, Friedrich Schröder, a baritone singer, and her mother, Sophie Schröder, known as the "Siddons of Germany." Her dramatic soprano was capable of producing the most tender, powerful, truthful and intensely thrilling effects, although it was not specially tractable and was at times even harsh.

Ernest is too unpractical to have been able even to feed himself!" "And he knows it, my poor Ernest!" said Mrs. Schroder. "This is why he should be pitied. It is hard for a generous nature to owe all to another. It has weighed Ernest down; it has embittered the love of the two brothers." "But it is more bitter for Harry," persisted Violet.

Schröder-Devrient, who, as an operatic tragedienne, stands foremost in the annals of the German musical stage, though others have surpassed her in merely vocal resources, and who never has been rivaled except by Pasta. She was the daughter of Sophia Schröder, the Siddons of Germany. This distinguished actress for a long time reigned supreme in her art.

It is true that the great actress, especially when under the influence of her famous mother, Sophie Schroder, who was just then with her on a visit, showed undisguised vexation at my having composed so brilliant a work as Rienzi for Dresden without having specifically reserved the principal part for her.

Schroder, and even Aunt Martha, would have treated a poor Italian stranger who had sought a lodging in their house; they had welcomed Harry with the same warmth and feeling with which they had all along cared for Ernest. This was something that Harry knew how to translate.

The March sun is melting the icicles, and they came clattering down upon me, as I was in the yard, with a happy, twinkling, childish laugh. There are spring sounds all about, water melting and dripping everywhere, full of joy. I am the last person, dear mother Schroder, to make you feel sad."

The old man awakens our pity, but we have no sympathy for him, and it is sympathy that Schröder wished to arouse as well as abhorrence of the two daughters, who, though unnatural, are not absolutely reprehensible. In the old play which is Shakespeare's source, this scene is productive, in the course of the play, of the most pleasing effects.

But in the interests of veracity let me not forget that neither he nor I scored the real success of that evening. We were both wholly eclipsed by the tremendous effect produced by the grey- haired Sophie Schroder in a recitation of Burger's Lenore.

How, indeed, did Schröder achieve the great credit of putting Shakespeare's plays upon the German stage but by epitomizing the epitomizer? Schröder confined himself entirely to what was effective; he discarded everything else, indeed, even much that was essential, when it seemed to him that the effect upon his nation, upon his time, would be impaired.

She studied with Schroder in her native city, with L. Cogniet in Paris, and later in Italy. She returned to Berlin, where she painted portraits and genre subjects. Her picture of the "Grandmother telling Stories" is in the Museum of Stettin. Among her works are "An Artist's Travels" a "German Emigrant," and "School Friends."