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Updated: June 29, 2025
The church of the Holy Apostles is a basilica with rounded apse and four octagon towers, one at each corner of the nave. St. Peter's church, the interior terribly modernized by the Renaissance, has for an altar-piece Rubens's picture of the Crucifixion of Saint Peter.
But their change is that of a tree, not of a cloud. So, then, come repentance and recantation. Mr. Ruskin's 'boy veneration for Rubens's physical art power, and the 'strong expression of admiration for him, which to his great regret occur in the first volume, are now solemnly withdrawn.
The Italian noblemen, in whose company we saw it, acknowledged with candour the good taste of the selection; and I was glad to see again what had delighted me so many years before: particularly, the three Marys, by Annibale Caracci; and Rubens's odd conceit of making Juno's Peacock peck Paris's leg, for having refused the apple to his mistress.
Let the reader, among other things of the kind, refer to Rubens's Jardin
The magistrates declared that they were all good Catholics, but a list of the reformers fell into the Duke of Alva's hands and Rubens's name was there. This meant death unless he should succeed in flying from the country, which he instantly did. That was in 1568, when he had four children, but Peter Paul was not one of them since he was a seventh son.
The sword used by the king at the time he gave the accolade is still kept by Rubens's descendants. While he was in London Rubens was very nearly drowned in the Thames going down to Greenwich in a boat. Peter Paul will say all that is proper, like the well informed man that he is. Peter Paul is very successful in painting portraits.
But we pass from meek Madonnas and seraphic saints, from gleaming Claudes and Guidos soft as Eve, from Rubens's satyrs and Albano's boys, and even from those gay and natural medleys, paintings that cheer the heart, where fruit and flower, with their brilliant bloom, call to a feast the butterfly and bee; we pass from these to square-headed ancestors by Holbein, all black velvet and gold chains; cavaliers, by Vandyke, all lace and spurs, with pointed beards, that did more execution even than their pointed swords; patriots and generals, by Kneller, in Blenheim wigs and Steen-kirk cravats, all robes and armour; scarlet judges that supported ship-money, and purple bishops, who had not been sent to the Tower.
I have been more willing to give room to this description of Rubens's pictures and the effect they produced upon Motley, because there is a certain affinity between those sumptuous and glowing works of art and the prose pictures of the historian who so admired them.
This was intended as an allegory representing the blessings of peace and the horrors of war, which he presented to the king as a tangible recommendation of the pacific measures which he had come to propose. After the dispersion of the Royal Collection during the Commonwealth this picture was acquired by the Doria family at Genoa, where it was called, oddly enough, Rubens's Family.
Luckily Frago did not, and, despite his two Italian journeys, Velasquez was not seduced into taking "those people" seriously. His recorded opinion of Raphael is corroborative of his attitude toward Italian art. Titian was his sole god. For nearly a year he was in daily intercourse with Rubens, but of Rubens's influence upon him there is little trace.
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