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Updated: May 12, 2025


Powers's criticism of the Venus of Milo in the studio of another of our distinguished sculptors, and he treated it with great levity, especially when I told him my authority. There is a spirit of rivalry among sculptors which does not always manifest itself in that courteous and well-bred manner which distinguishes the medical faculty, for instance, in their dealings with each other.

Thomas was also ordered to prepare his bridges at Powers's and Paice's Ferries. By crossing the Chattahoochee above the railroad bridge, we were better placed to cover our railroad and depots than below, though a movement across the river below the railroad, to the south of Atlanta, might have been more decisive.

Powers's questions, the spirit assured her that it was not one, but legion, being the ghosts of twenty-seven monks, who were miserable and without hope! The house now occupied by Powers was formerly a convent, and I suppose these were the spirits of all the wicked monks that had ever inhabited it; at least, I hope that there were not such a number of damnable sinners extant at any one time.

Hiram Powers's "Greek Slave" from America more than rivalled Monti's veiled statue from Italy, while far surpassing both in majesty was Kiss's grand group of the "Mounted Amazon defending herself from, the attack of a Lioness," cast in zinc and bronzed. Statues and statuettes of the Queen abounded, and must have constantly met her eye, from Mrs.

Commanders of armies sometimes have it, but not in the degree that royal personages do. It is, as well as I could make out Powers's idea, a certain coldness of demeanor, and especially of eye, that surrounds them with an atmosphere through which the electricity of human brotherhood cannot pass.

In the hall devoted to sculpture are many noble and beautiful works of art in marble, the most noticeable perhaps being Powers's "Il Penseroso," the bust of Washington and the "Babes in the Wood" by Crawford, and the statue of Lincoln by Ball. In the picture-gallery on the east are a hundred and fifty subjects. On the south wall hangs a canvas which is at once recognized as the masterpiece.

At our visit to Powers's studio on Tuesday, we saw a marble copy of the fisher-boy holding a shell to his ear, and the bust of Proserpine, and two or three other ideal busts; various casts of most of the ideal statues and portrait busts which he has executed.

There is likewise a dead Magdalen by Canova, and a Venus by the same, very pretty, and with a vivid light of joyous expression in her face; . . . . also Powers's Greek Slave, in which I see little beauty or merit; and two or three other statues. We then drove to Ashley Place, to call on Mrs. S. C. Hall, whom we found at home.

I never heard Powers speak of Mr. , but can partly imagine what he would have said. Mr. spoke of Powers's disappointment about the twenty-five-thousand-dollar appropriation from Congress, and said that he was altogether to blame, inasmuch as he attempted to sell to the nation for that sum a statue which, to Mr. 's certain knowledge, he had already offered to private persons for a fifth part of it.

Commanders of armies sometimes have it, but not in the degree that royal personages do. It is, as well as I could make out Powers's idea, a certain coldness of demeanor, and especially of eye, that surrounds them with an atmosphere through which the electricity of human brotherhood cannot pass.

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