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Hercules appears and induces his former friend to accompany Neoptolemus to the Grecian camp, where his wound shall be healed.. The farewell of Philoctetes to his cavern to the nymphs of the meadows to the roar of the ocean, whose spray the south wind dashed through his rude abode to the Lycian stream and the plain of Lemnos is left to linger on the ear like a solemn hymn, in which the little that is mournful only heightens the majestic sweetness of all that is musical.

He comes along towards them, creeping and crying in agony. Seeing them he inquires who they are; Neoptolemus answers as he had been bidden and wins the heart of Philoctetes who describes the misery of his life, his desertion and the unquenchable malady that feeds on him.

Then thunder was heard, a cloud came down, and he was borne away to Olympus, while Philoctetes collected and buried the ashes. His young sons were banished by Eurystheus, and were taken by his old friend Iolaus to seek shelter in various cities, but only the Athenians were brave enough to let them remain.

And the result is that, whereas the Iliad or Odyssey supplies materials for only one, or at most two tragedies, the Cypria does that for several, and the Little Iliad for more than eight: for an Adjudgment of Arms, a Philoctetes, a Neoptolemus, a Eurypylus, a Ulysses as Beggar, a Laconian Women, a Fall of Ilium, and a Departure of the Fleet; as also a Sinon, and Women of Troy.

Then said Ulysses, "And I, too, in my youth would do all things by the hand and not by the tongue; but now I know that the tongue hath alone the mastery." And the Prince replied, "But thou biddest me speak the thing that is false." "I bid thee prevail over Philoctetes by craft." "But why may I not persuade him, or even constrain him by force?"

When the Greeks, powerless before Troy, felt the need of supernatural signal and support, they went to Philoctetes, deprived him of Hercules' bow and arrows, and abandoned him, ill, naked, and defenceless, on a desert island. This was the mysterious Justice, loftier than that of man; this was the command of the gods.

Moreover, Voltaire, who will have none of Shakespeare, will have none of the Greeks, either. Let him tell us why: "The Greeks ventured to produce scenes no less revolting to us. Hippolyte, crushed by his fall, counts his wounds and utters doleful cries. Philoctetes falls in his paroxysms of pain; black blood flows from his wound.

Safely, they say, came the Myrmidons the wild spearsmen, whom the famous son of high-souled Achilles led; and safely Philoctetes, the glorious son of Poias. And Idomeneus brought all his company to Crete, all that escaped the war, and from him the sea gat none.

That they were all rowers as well as warriors we see from his account of the ships of Philoctetes, in which all the men at the oar are bowmen. Now it is improbable that many supernumeraries sailed, if we except the kings and high officers; especially as they had to cross the open sea with munitions of war, in ships, moreover, that had no decks, but were equipped in the old piratical fashion.

The Philoctetes and the Hercules are among the exceptions that prove the rule. XII. Another drawback to our admiration of the Philoctetes is in the comparison it involuntarily courts with the Prometheus of Aeschylus. Both are examples of fortitude under suffering of the mind's conflict with its fate. In either play a dreary waste, a savage solitude, constitute the scene.