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After leaving it, with Giorgione's landscape still glowing in the memory, there are worse courses to take than to tell the poppé to row on up the Rio di Noale to the Misericordia, in which Tintoretto painted his "Paradiso". This great church, once the chief funeral church of Venice, is now a warehouse, lumber rooms, workshops.
DOLO, NEAR VENICE, July 20, 1866. I returned from Noale to Padua last evening, and late in the night I received the intimation at my quarters that cannon was heard in the direction of Venice. It was then black as in Dante's hell, and raining and blowing with violence one of those Italian storms which seem to awake all the earthly and heavenly elements of creation.
From Lusia I followed General Medici's division to Motta, where I left it, not without regret, however, as better companions could not easily be found, so kind were the officers and jovial the men. They are now encamped around Padua, and will to-morrow march on Treviso, where the Italian Light Horse have already arrived, if I judge so from their having left Noale on the 15th.
DOLO, NEAR VENICE, July 20, 1866. I returned from Noale to Padua last evening, and late in the night I received the intimation at my quarters that cannon was heard in the direction of Venice. It was then black as in Dante's hell, and raining and blowing with violence one of those Italian storms which seem to awake all the earthly and heavenly elements of creation.
From Lusia I followed General Medici's division to Motta, where I left it, not without regret, however, as better companions could not easily be found, so kind were the officers and jovial the men. They are now encamped around Padua, and will to-morrow march on Treviso, where the Italian Light Horse have already arrived, if I judge so from their having left Noale on the 15th.
"The Palazzo Giovanelli, Rio di Noale," say to your gondolier; because this palace is not only open to the public but it contains the most sensuously beautiful picture in Venice Giorgione's "Tempest". Giorgione, as I have said, is the one transcendentally great Venetian painter whom it is impossible, for certain, to find in any public gallery or church in the city of his adoption.
The news from Prussia is still contradictory; while the Italian press is unanimous in asking with the country that Cialdini should advance, meet the enemy, fight him, and rout him if possible. Italy's wishes are entirely with him. NOALE, NEAR TREVISO, July 17, 1866.
The news from Prussia is still contradictory; while the Italian press is unanimous in asking with the country that Cialdini should advance, meet the enemy, fight him, and rout him if possible. Italy's wishes are entirely with him. NOALE, NEAR TREVISO, July 17, 1866.
Now comes a very poor series of houses to the next rio, the Rio di Noale, the last being the Gussoni, or Grimani, with a nice courtyard seen through the door. It was once decorated with frescoes by Tintoretto. Looking along the Rio di Noale we see the Misericordia, and only a few yards up on the left is the Palazzo Giovanelli where Giorgione's "Tempest" may be seen.