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Updated: June 27, 2025


It is generally stated that while Correggio was engaged upon the grand cupola at Parma, he generally passed the colder season, when he could not work in fresco, in his native place. Passing through Reggio in one of his journeys, he received a commission from Alberto Pratonero for an altar-piece of the Nativity, which produced one of his finest pictures, now called La Nótte.

In this room there was also the chef-d'luvre of Correggio his celebrated Notte, or the Nativity of Jesus; and, that you may know what I ought to have thought, I will quote you a sentence from Wilkie. "All the powers of art are here united to make a perfect work.

So, during our various meanders, I kept my eye with a steady resolve on this place. I confess I went out to see the painting without much enthusiasm. My experience with Correggio's Notte, and some of the celebrities of Dresden, was not encouraging. I was weary, too, with sightseeing.

I inquired by signs whether I were to sleep there. She nodded assent, but I could not undress while she stood beside me as if she were rooted to the spot. At last I went and got a large glass of wine from the table in the next room, drank it off, and wished her "Felicissima notte!" for I had managed to learn that much Italian.

The damo for so a sweetheart is termed in Tuscany trembles until he has gained the approval of his future mother-in-law, and forbids the girl he is courting to leave her house to talk to him at night: Dice che tu affacci alia finestra; Ma non dice che tu vada fuora, Perchè, la notte, è cosa disonesta. All the language of his love is respectful.

Rattling into quiet little towns with a grand 'tootle-te-too' of the horn was an especial delight, and to see the people gather so quickly that they seemed to spring from the ground. A moment's chatter, a drink for the horses, a soft 'Felice notte, another toot, and away thundered the diligence for miles more of moonlight, summer air, and the ecstasy of rapid motion.

He was a short, swarthy man with a neck like a bull's, and he carried the task off with astonishing brio, never drawing a line, finishing each part as he came to it, and talking to a friend or an official the whole time. Somehow one felt him to be precisely the type of copyist that Gherardo della Notte ought to have.

The secretaries, meanwhile, were busy in preparing resolutions of affection by which to honor him in the sight of the Venetian people; letters of announcement to foreign courts, as if he had been of the blood royal; proclamations of reward for the persons of the criminals, alive or dead, which, before the day had dawned, the Signori della Notte had affixed to the doors of San Marco, along the Rialto, on the breast of Ser Robia, that all might read.

"I will bid you now the felicissima notte, cara e bella contessa!" he said caressingly, raising her small white hand to his lips, and kissing it with a lingering pressure of what he considered a peculiarly becoming moustache "When Angela arrives to-morrow night I shall be often at the Palazzo Sovrani shall I see you there?"

"Oh, if you like flies in your soup, as the man said to his guest, when he carefully replaced those entomological blackamoors in the tureen, after helping himself if you like flies in your soup, well and good /buona notte/." Ferrers certainly was right in his theory, that when we have known real adventures we grow less morbidly sentimental.

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