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Updated: May 15, 2025


It is a mixture of poetical and prose diction, of archaisms and modernisms, of rare native and foreign terms, of solecisms, conceits, and quotations, which render it repulsive to the reader and betray the chaotic state of its creator's canons of taste.

The older priests "insisted on a critical and verbatim rehearsal of all the ancient lore." Proceedings were sanctioned by human sacrifices and many mystic rites. We are not told that new poems were produced and criticised; it does not appear that this was the case. If this were so, the relative rarity of "anachronisms" and of modernisms in language in the Homeric poems is explained. But Mr.

It has a strangely solitary aspect, enhanced by its surroundings of the most uncongenial, rapidly growing modernisms; the hoar of ages surrounded by the brightest, slightest, and rapidest of modern growths. Its old belfries still clanged with the discordant bells, and Mass was saying within, for it is used as a place of worship for the extreme south part of the city.

Of Alfred de Musset I had heard a great deal. Marshall and the Marquise were in the habit of reading him in moments of relaxation, they had marked their favourite passages, so he came to me highly recommended. Nevertheless, I made but little progress in his poetry. His modernisms were out of tune with the present strain of my aspirations, and I did not find the unexpected word and the eccentricities of expression which were, and are still, so dear to me. I am not a purist; an error of diction is very pardonable if it does not err on the side of the commonplace; the commonplace, the natural, is constitutionally abhorrent to me; and I have never been able to read with any very thorough sense of pleasure even the opening lines of "Rolla," that splendid lyrical outburst. What I remember of it now are those two odious chevilles marchait et respirait, and Astarté fille de l'onde amère; nor does the fact that amère rhymes with mère condone the offence, although it proves that even Musset felt that perhaps the richness of the rhyme might render tolerable the intolerable. And it is to my credit that the Spanish love songs moved me not at all; and it was not until I read that magnificently grotesque poem "La Ballade

Of Alfred de Musset I had heard a great deal. Marshall and the Marquise were in the habit of reading him in moments of relaxation, they had marked their favourite passages, so he came to me highly recommended. Nevertheless, I made but little progress in his poetry. His modernisms were out of tune with the strain of my aspirations at that moment, and I did not find the unexpected word and the eccentricities of expression which were, and are still, so dear to me. I am not a purist; an error of diction is very pardonable if it does not err on the side of the commonplace; the commonplace, the natural, is constitutionally abhorrent to me; and I have never been able to read with any very thorough sense of pleasure even the opening lines of "Rolla," that splendid lyrical outburst. What I remember of it now are those two odious chevilles marchait et respirait, and Astarté fille de l'onde amère; nor does the fact that amère rhymes with mère condone the offence, although it proves that even Musset felt that perhaps the richness of the rhyme might render tolerable the intolerable. And it is to my credit that the Spanish love songs moved me not at all; and it was not until I read that magnificently grotesque poem "La Ballade

I am getting tired of antiquity. It is certainly less interesting in the long run than novelty; and so I was well content with the fresh, warm, red hue of the modern house, and the unworn outline of its walls, and its cheerful, large windows; and was willing that the old ivy-grown ruins should exist now only to contrast with the modernisms. These ancient walls, by the by, are of immense thickness.

But again, by a change in the theory, the poets introduced later novelties; later forms of defensive armour; later modes of burial; later religious and speculative beliefs; a later style of house; an advanced stage of law; modernisms in grammar and language.

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