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Nevertheless I take my medicine by continuing to live in this climate. Also, it is the only medicine I ever take. But to return to the horses. There is some improvement. Milda has actually learned to walk.

Milda was fourteen years old, an unadulterated broncho, and in temperament was a combination of mule and jack-rabbit blended equally. If you pressed your hand on her flank and told her to get over, she lay down on you. If you got her by the head and told her to back, she walked forward over you. And if you got behind her and shoved and told her to "Giddap!" she sat down on you.

Under the surprise and pain of the bite, Milda either jumps ahead to the imminent peril of harness and lead-bar, or smashes into the wall, stops short with the lead-bar over her back, and emits a couple of hysterical kicks. The Outlaw invariably selects this moment to remove paint.

He is merely a good-natured rogue who shakes hands for sugar, steps on your toes out of sheer excessive friendliness, and just goes on loving you in your harshest moments. But he won't get out of the way. Also, whenever he is reproved for being in the wrong, he accuses Milda of it and bites the back of her neck.

So hopelessly lame did he go that no expert, then and afterward, could determine whether the lameness was in his frogs, hoofs, legs, shoulders, or head. Maid picked up a nail and began to limp. Milda, figuring the day already sufficiently spent and maniacal with manger-gluttony, began to rabbit-jump. All that held her was the bale- rope.

It was hard enough to have her favourite mare in the harness without also enduring the spectacle of its being eaten alive. Our leaders were joys. King being a polo pony and Milda a rabbit, they rounded curves beautifully and darted ahead like coyotes out of the way of the wheelers. Milda's besetting weakness was a frantic desire not to have the lead-bar strike her hocks.

So bad has this become that whenever I yell "Prince!" in a loud voice, Milda immediately rabbit-jumps to the side, straight ahead, or sits down on the lead-bar. All of which is quite disconcerting. Picture it yourself. You are swinging round a sharp, down-grade, mountain curve, at a fast trot. The rock wall is the outside of the curve. The inside of the curve is a precipice.

Also, behind them are the wheelers, and the rig, and you have just eased the brake in order to put sufficient snap into the manoeuvre. If ever team-work is required, now is the time. Milda tries to shoot. She does her best, but Prince, bubbling over with roguishness, lags behind. He knows the trick. Milda is half a length ahead of him. He times it to the fraction of a second.