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Updated: May 28, 2025


He repeats all the observations of Ferdinando, and supports his own assertions by the experience of his father, a physician at Lecce, whose testimony, as an eye-witness, may be admitted as unexceptionable.

But there were sometimes terrible crises like those in the families Della Valle and Croce in Rome where even the great Roberto da Lecce raised his voice in vain. Shortly before Holy Week he had preached to immense crowds in the square before the Minerva. But on the night before Maundy Thursday a terrible combat took place in front of the Palazzo della Valle, near the Ghetto.

One who retreats cuts a poor figure beside a rear-guard that stays behind and fights. We crossed the Isonzo at Peteano, and took a short cut across the fields to Farra. In the crowd and the dark we were jostled by some Italian Infantry. We hailed them and found that they were our old friends, the Lecce Brigade. The Major made our men stand back. "Pass, Lecce," he said. "Good luck to you!"

Roberto da Lecce began by exhibiting a crucifix, which moved the audience to tears; 'and the weeping and crying, Jesu misericordia! lasted about half an hour. Then he made four citizens be chosen for each gate as peacemakers. What follows in Graziani is an account of a theatrical show, exhibited upon the steps of the Cathedral.

That was what she meant by 'Oh, if I only had it! You heard her say that. I remember my cousin Southwald getting hold of an Italian girl a little minx from Apulia, fine as silk but dusky as a Brazil nut. She fought wild and bitter like a trapped wild cat. It was at Lecce in Murat's time, but Southwald was conceited that he could gentle her.

They groaned and cried out, 'Misericordia! and many monks were made upon the spot. At last, on April 7, Fra Roberto took his leave of the Perugians, crying as he went, 'La pace sia con voi! We have a glimpse of the same Fra Roberto da Lecce at Rome, in the year 1482. The feuds of the noble families della Croce and della Valle were then raging in the streets of Rome.

Roberto da Lecce, who was drawing large congregations, not only of the common folk, but also of the Roman prelates, to his sermons at Santa Maria sopra Minerva, interrupted his discourse upon the following Friday, and held before the people the image of their crucified Saviour, entreating them to make peace.

These last two works were destroyed for the ridiculous caricatures of Arrigo Fiammingo and Mattei da Lecce. Ultimately the Tapestry woven after the cartoons by Raphael, now at South Kensington Museum, completed the cycle of decoration down to the ground level.

The names of Arnold of Brescia, San Bernardino of Siena, John of Vicenza, Jacopo Bussolari, Alberto da Lecce, Giovanni Capistrano, Jacopo della Marca, Girolamo Savonarola, bring before the memory of those who are acquainted with Italian history innumerable pictures of multitudes commoved to tears, of tyrannies destroyed and constitutions founded by tumultuous assemblies, of hostile parties and vindictive nobles locked in fraternal embraces, of cities clothed in sackcloth for their sins, of exhortations to peace echoing by the banks of rivers swollen with blood, of squares and hillsides resonant with sobs, of Lenten nights illuminated with bonfires of Vanity.

It will be observed, from what has been said about John of Vicenza, Jacopo del Bussolaro, S. Bernardino, Roberto da Lecce, Giovanni della Marca, and Fra Capistrano, that Savonarola was by no means an extraordinary phenomenon in Italian history.

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