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These last two works were destroyed for the ridiculous caricatures of Arrigo Fiammingo and Mattei da Lecce. Ultimately the Tapestry woven after the cartoons by Raphael, now at South Kensington Museum, completed the cycle of decoration down to the ground level.
There, the attentive cicerone will show you, in the first chapel to the right, the Christ Scourged, by Sebastian del Piombo, and in the third chapel to the left, an Entombment by Fiammingo; having examined these two masterpieces at leisure, he will take you to each end of the transverse cross, and will show you on one side a picture by Salviati, on slate, and on the other a work by Vasari; then, pointing out in melancholy tones a copy of Guido's Martyrdom of St.
There, the attentive cicerone will show you, in the first chapel to the right, the Christ Scourged, by Sebastian del Piombo, and in the third chapel to the left, an Entombment by Fiammingo; having examined these two masterpieces at leisure, he will take you to each end of the transverse cross, and will show you on one side a picture by Salviati, on slate, and on the other a work by Vasari; then, pointing out in melancholy tones a copy of Guido's Martyrdom of St.
He lodged in the same house with Francis du Quesnoy, called Il Fiammingo, the state of whose finances at that time were not more flourishing than his own, and he lived in habits of intimacy and strict friendship with that eminent sculptor, with whom he explored, studied, and modeled the most celebrated antique statues and bas-reliefs, particularly the Meleager in the Vatican, from which he derived his rules of proportion.
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