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Updated: June 18, 2025
That he was not an improvisatore, however, any one can see who will take the trouble to compare the first edition of ‘Romeo and Juliet’ with the received text, the first sketch of ‘The Merry Wives of Windsor’ with the play as we now have it, and the ‘Hamlet’ of 1603 with the ‘Hamlet’ of 1604, and with the still further varied version of the play given by Heminge and Condell in the Folio of 1623.
One afternoon just before the dinner hour I was reading Heminge and Condell's remarkable preface to the "Instauratio Magna" of Bacon, which advances the theory that the state of knowledge is not greatly advancing and that a way must be opened for the human understanding entirely different from any known.
Nevertheless, however strong a case may be made out against the Folio of 1623, whatever sins of omission we may lay to the charge of Heminge and Condell, or of commission to that of the printers, it remains the only text we have with any claims whatever to authenticity.
The whole story is like the dream of a child. We therefore expect the Anti-Willians to endeavour to disable the evidence of Jonson, Heywood, Heminge, and Condell. Their attempts take the shape of the most extravagant and complex conjectures; with certain petty objections to Ben's various estimates of the MERITS of the plays. He is constant in his witness to the authorship.
When the "n" is not in the surname, at least the Christian contains the indispensable letter, as John Murray, Elkin Matthew. Even when it can find refuge nowhere else the "n" creeps into the "and" of the firm or into the "Sons." The very Clarendon Press has the trademark. Who is the stock publisher of the eighteenth century? Tonson! Who were the first publishers of Shakespeare? Condell & Heminge.
Now Titus Andronicus is to be found in the first folio edition of Shakspeare's works, which it is known was published by Heminge and Condell, for many years his friends and fellow-managers of the same theatre. Is it possible to persuade ourselves that they would not have known if a piece in their repertory did or did not really belong to Shakspeare?
Seven years after his death, John Heminge and Henry Condell, two of his fellow-actors, collected the unpublished plays, and, in 1623, issued them along with the others in a single volume, usually known as the First Folio. The ancients considered mechanics in a twofold respect; as rational, which proceeds accurately by demonstration, and practical.
Having most probably been requested by Heminge and Condell not to withhold his tribute from the departed, to whom both his contemporaries as well as posterity had done homage, Jonson may readily have seized the occasion to do amends for the wrong he had inflicted upon the great poet during his lifetime. 17: Poetaster, Apol. Dialogue.
Heminge and Condell tell us, accordingly, that there was scarce a blot in the manuscripts they received from Shakspeare; and this is the natural corollary from the fact that such an imagination as his is as unparalleled as the force, variety, and beauty of the phrase in which it embodied itself.
This young man, whose capacities became of no slight use to the company and The Theatre, was named William Shakespeare. At this time the leading actors of The Theatre were the great tragedian Richard Burbage, who was then quite a young man, Henry Condell, and John Heminge, who continued to be the mainstays of the company.
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