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Updated: June 15, 2025


"My Star" is tender, and the accompaniment is richly worked out on simple lines. Three Vocal Duets are well-handled, but the long "Eilende Wolken" has a jerky recitative of Händelian naïveté, to which the aria is a welcome relief. Her sonata for piano and violin has been played here by Mr. Kneisel, and in Berlin by Mme. Carreño and Carl Halir. Besides these, Mrs.

They were accustomed to see singers in all operas wearing dresses that differed very little from their own, and scenery which recalled their own Italianate gardens and palaces; Handelian opera, in any case, left little scope for what most people now call acting.

In the spring of 1883 he began to compose music, and in 1885 we published together an album of minuets, gavottes, and fugues. This led to our writing Narcissus, which is an Oratorio Buffo in the Handelian manner that is as nearly so as we could make it. It is a mistake to suppose that all Handel's oratorios are upon sacred subjects; some of them are secular.

The song "Vouchsafe, O Lord," is an unmatched setting of the words for the solo alto, full of very human pathos; and some of the choral parts are even more brilliant than the odes. The Jubilate is almost as fine; but we must take both, not as premature endeavours to work Handelian wonders, but as the full realisations of a very different ideal.

They could not see the really fine points of the forty-part motet: the broad scheme of the whole thing, and the almost Handelian way of massing the various choirs so as to heap climax on climax until a perfectly satisfying finish was reached.

In the spring of 1883 he began to compose music, and in 1885 we published together an album of minuets, gavottes, and fugues. This led to our writing Narcissus, which is an Oratorio Buffo in the Handelian manner that is as nearly so as we could make it. It is a mistake to suppose that all Handel's oratorios are upon sacred subjects; some of them are secular.

All Purcell's choruses, however, are not of Handelian mould, for he wrote many that are sheer loveliness from beginning to end, many that are the very voice of the deepest sadness, many, again, showing a gaiety, an "unbuttoned" festivity of feeling, such as never came into music again until Beethoven introduced it as a new thing.

They were a part of her get up as a country hostess. A few moments later some simple chords, and the sound of a rather obvious sequence, followed by intensely Handelian runs, announced that Lord Reggie had begun to compose his anthem, and Madame Valtesi and Lady Locke were mounting into the governess cart, which was rather like a large hip bath on wheels.

She saw the world as a Brocken and all the Sabbath there was was a Sabbath orgy of despicably brutish fiends. She tried to run away. She went to her piano; her fingers would play no dirges; they grew flippant, profane in rhythm. She could think of no tunes but dances andantes turned scherzi, the Handelian largo became a Castilian tango.

In the autumn of 1748 a company of Italian comic-opera singers came over to London; they brought an entirely new type of entertainment, and after their success Handelian opera was buried for ever. "What the English like is something that they can beat time to," said Handel to Gluck.

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