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"We talked of eloquence, which he has often compared to fresco-painting: the result of long study and meditation, but at the moment of execution thrown off with the greatest rapidity; what has apparently been the work of a few hours being destined to last for ages. "Mr.

The same voluntary renunciation of outward effect, through confidence in the power of the inward conception, can be observed some years later in fresco-painting, and later still in painting of all kinds, which began to cease to rely on color for its effect, using simply a lighter or darker shade.

He was seventy-five years old when he carried them to completion; and, as he informed me, he did so with great effort and fatigue painting, after a certain age, and especially fresco-painting, not being in truth fit work for old men." The first of two acute illnesses, which showed that Michelangelo's constitution was beginning to give way, happened in the summer of 1544.

She looked at his own, and she felt that she could not tell. But to a certain extent she understood him. "Griggs is full of theories," observed Dalrymple. "Gloria, come down!" he cried in English, suddenly. Gloria, intent upon understanding how fresco-painting was done, was boldly mounting the steps of the ladder towards the top of the little scaffolding, which might have been fourteen feet high.

Fresco-painting can only be done upon stucco just laid on, while it is still moist, and a mason came early every day and prepared as much of the wall as Reanda could cover before night. If he did not paint over the whole surface, the remainder was chipped away and freshly laid over on the following morning.

Returning to the States, he sailed for Europe, and went to Munich to learn from Kaulbach the new stereochromatic process which has now superseded the fresco-painting of the middle ages. Returning to Washington, he applied himself to his task, and in a couple of years completed it.

Here the long-lost feudal-art of colouring glass re-discovered; there fresco-painting entirely revived, and on the grandest scale; while the ardent researches of another man of genius successfully analyses the encaustic tenting of Herculaneum, and secures the secret process for the triumph of modern Art.

The quietude of holiness expressed in this ideal region was a legacy to Perugino from earlier Umbrian masters; but his technical supremacy in fresco-painting and in oils, his correct drawing within certain limits, and his refined sense of colour enabled him to realise it more completely than his less accomplished predecessors.