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Updated: May 27, 2025


Montaigne describes such an attachment, in which the souls mix and work themselves into one piece with so perfect a mixture that there is no more sign of a seam by which they were first conjoined. Says Euripedes: "A friend Wedded into our life is more to us Than twice five thousand kinsman one in blood." Such was the friendship of Ruth and Naomi.

A geometric figure may remind us of the constitution of the world of space, a sundial, of the transitoriness of human existence, and with a "chorus-ending from Euripedes," the whole sweep of the cosmic meanings is upon us. In the words of Fra Lippo Lippi: "Why, for this, What need of art at all?

Could such a play as the "Suppliants" of Euripedes find any aesthetic justification, save that it has the one dramatic essential confrontation, balance of emotions?

Whoever it was, Sosius, that wrote the poem in honor of Alcibiades, upon his winning the chariot-race at the Olympian Games, whether it was Euripedes, as is most commonly thought, or some other person he tells us, that to a man's being happy it is pre-eminently requisite that he should be born in "some famous city."

It is in reading The Wild Duck that for the first time the really astonishing resemblance which Ibsen bears to Euripedes becomes apparent to us.

It is this which has established Sophocles as the perfect model, not only for Aristotle, but in general for critics and grammarians; while the poets have been left to admire Aeschylus, who 'wrote in a state of intoxication, and Euripedes, who broke himself against the bars of life and poetry."

Euripedes, an Athenian writer, who flourished about 450 years before the beginning of our era, maintained that, "in the early state of society, some wise men insisted on the necessity of darkening truth with falsehood and of persuading men that there is an immortal deity who hears and sees and understands our actions, whatever we may think of that matter ourselves."

It must be confest, nevertheless, that the study of Euripedes will be of much greater value to those who are preparing themselves for the bar; for besides the fact that his style comes nearer the oratorical style, he likewise abounds in fine thoughts, and in philosophic maxims is almost on an equality with philosophers, and in his dialog may be compared with the best speakers at the bar.

That development is temporal, is, dramatically, only a device for damming the flood that it may break at last with greater force. This, too, is an answer to the objection that if confrontation is the dramatic essential, bare opposition, because the clearest confrontation, would be the greatest drama, and the "Suppliants" of Euripedes be indeed an example of it.

It was hoped that the fresh air and sunshine would cheer Miss Du Prel. The Professor led the conversation to her favourite topic: ancient Greek literature, but this only inspired her to quote the discouraging opinion of the Medea of Euripedes. The Professor laughed. "I see it is a really bad attack," he said. "I sympathize. I have these inconsolable moods myself, sometimes."

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