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Updated: May 17, 2025
The correctness of his belief was instantly proved to him by the address of gray-haired, highly praised Euphranor, who spoke of the Demeter's countenance with warm admiration. And how ardently the poets Theocritus and Zenodotus extolled his work to the skies! Amid so much laudation, one faint word of dissatisfaction vanished like a drop of blood that falls into a clear stream.
Now the preparation of arms gave no jealousy, because robberies and petty forays were at that time common everywhere between one set of people and another; and for the ladders, Euphranor, the machine-maker, made them openly, his trade rendering him unsuspected, though one of the exiles.
When he closed, deep silence reigned for a brief interval, and one man looked at another irresolutely until the hero of the day, gray-haired Euphranor, rose and, leaning on the arm of his favourite pupil, walked through the centre of the arena to the stage, mounted it, embraced Hermon with paternal warmth, and made him happy by the words: "The deception that has fallen to your lot, my poor young friend, is a lamentable one; but honour to every one who honestly means to uphold the truth.
The correctness of his belief was instantly proved to him by the address of gray-haired, highly praised Euphranor, who spoke of the Demeter's countenance with warm admiration. And how ardently the poets Theocritus and Zenodotus extolled his work to the skies! Amid so much laudation, one faint word of dissatisfaction vanished like a drop of blood that falls into a clear stream.
The kind-hearted man's patience, however, was not tested too long; for when Helena entered the summer-house Didymus had already been informed of the disaster which threatened him and his family. The philosopher Euphranor, an elderly member of the Museum, had reached him through the garden gate, and, spite of Philotas's warning sign, told him what was occurring.
The later discoveries at Pompeii show the same correctness of design in painting as in sculpture, and also considerable perfection in coloring. The great artists of Greece were both sculptors and painters, like Michael Angelo. Phidias and Euphranor, Zeuxis and Protogenes, Polygnotus and Lysippus, were both.
Euphranor was another great painter, and was distinguished for his power to give great expression to the faces and a manly force to the figures which he painted. Nikias, the Athenian, is said to have been so devoted to his art that he could think of nothing else: he would ask his servants if he had bathed or eaten, not being able to remember for himself.
The kind-hearted man's patience, however, was not tested too long; for when Helena entered the summer-house Didymus had already been informed of the disaster which threatened him and his family. The philosopher Euphranor, an elderly member of the Museum, had reached him through the garden gate, and, spite of Philotas's warning sign, told him what was occurring.
Greek productions were not merely matters of property, they were copied and reproduced in all the cities of the Mediterranean; and though no artist of original genius arose from Augustus to Constantine, galleries of art existed everywhere in which the masterpieces of Polygnotus, Pausias, Aristides, Timanthes, Zeuxis, Parrhasius, Pamphilus, Euphranor, Protogenes, Apelles, Timomachus, and of other illustrious men, were objects of as much praise as the galleries of Dresden and Florence.
Similar remarks were made on other cushions; but when the philosopher Hegesias asked the famous sculptor Euphranor what he thought of Hermon's Demeter, the kindly old man answered, "I should laud this noble work as a memorable event, even if it did not mark the end, as well as the beginning, of its highly gifted creator's new career." Nothing of this kind was uttered near Hermon.
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