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And, like Ghika, he has married a rich wife, Only once has he been taken in, and that was by Shaban. You know Shaban? Shaban was really called Dossi. He was employed by Cook in Egypt as a dragoman, and dismissed from that service doubtless for good reasons.

This is not the sparkling brilliancy of those Veronese transformed into Venetians Bonifazio Primo and Paolo Caliari; or the gay, stimulating colour-harmony of the Brescian Romanino; or the more violent and self-assertive splendour of Gaudenzio Ferrari; or the mysterious glamour of the poet-painter Dosso Dossi.

In the Doria Gallery there is a life-sized figure of an Amazon with a helmet in her hand, ascribed to Dosso Dossi, which is said to be a likeness of Vannozza.

Very few of the paintings with which the Este adorned the castle are left. There are still some frescoes by Dossi and another unknown master. The castle was always a gloomy and oppressive residence. It was in perfect accord with the character of Ferrara, which even now is forbidding.

His best quality was colouring, gemlike and rich; but this found little scope for exercise in the dry and laboured style he affected. Dosso Dossi fared better, perhaps through having never experienced the seductions of Rome. His glowing colour and quaint fancy give the attraction of romance to many of his pictures.

Of this last a copy exists in the Pitti Gallery which Crowe and Cavalcaselle have ascribed to Dosso Dossi, but the original is nowhere to be traced. The Ferrarese ruler is, in this last canvas, depicted as a man of forty or upwards, of resolute and somewhat careworn aspect.

The mystic sympathies of "Leda and the Swan," as imaged severally by Lionardo and Michael Angelo; Correggio's romantic handling of the myths of "Danaë" and "Io;" Titian's and Tintoretto's rival pictures of "Bacchus and Ariadne;" Raphael's "Galatea;" Pollajuolo's "Hercules;" the "Europa" of Veronese; the "Circe" of Dosso Dossi; Palma's "Venus;" Sodoma's "Marriage of Alexander" all these, to mention none but pictures familiar to every traveller in Italy, raise for the student of the classical Revival absorbing questions relative to the influences of pagan myths upon the modern imagination.

Full Development and Decline of Painting Exhaustion of the old Motives Relation of Lionardo to his Pupils His Legacy to the Lombard School Bernardino Luini Gaudenzio Ferrari The Devotion of the Sacri Monti The School of Raphael Nothing left but Imitation Unwholesome Influences of Rome Giulio Romano Michael Angelesque Mannerists Misconception of Michael Angelo Correggio founds no School Parmigianino Macchinisti The Bolognese After-growth of Art in Florence Andrea del Sarto His Followers Pontormo Bronzino Revival of Painting in Siena Sodoma His Influence on Pacchia, Beccafumi, Peruzzi Garofalo and Dosso Dossi at Ferrari The Campi at Cremona Brescia and Bergamo The Decadence in the second half of the Sixteenth Century The Counter-Reformation Extinction of the Renaissance Impulse.

He had two secretaries, Alberto Pisani Dossi, one of the most noble Italian natures I ever knew, and Edmond Mayor, a Swiss, naturalized in Italy, and an admirable diplomat, now in its service, an honest, faithful child of the mountain republic; and both these became and remain my excellent friends, and, as they were permitted, they kept me informed of the matters which it was for the advantage of the "Times" to know; but until near the end of the first term of Crispi's premiership we never came nearer than that to being friends.

Cold and untouched to poetry or piety by scenes that ought to blend the spirit in ourselves with spirit in the world without, we can but wonder how this phantom show of mystery and beauty will pass away from us how soon and we be where, see what, use all our sensibilities on aught or naught? In the picture-gallery at Modena there is a masterpiece of Dosso Dossi.