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Piero di Cosimo was raising a laugh among them by his grimaces and anathemas at the noise of the bells, against which no kind of ear-stuffing was a sufficient barricade, since the more he stuffed his ears the more he felt the vibration of his skull; and declaring that he would bury himself in the most solitary spot of the Valdarno on a festa, if he were not condemned, as a painter, to lie in wait for the secrets of colour that were sometimes to be caught from the floating of banners and the chance grouping of the multitude.
COSIMO. Yet ther hath ben seen many tounes that have ben sacked within this xxv. yeres, and lost their dominions, whose insample, ought to teache other how to live, and to take again some of those old orders.
The Palazzo San Giorgio of the Farnese family, in Rome, has a large hall richly frescoed by Vasari, but the best of his works are to be seen on the walls of the great hall of the Palazzo Vecchio in Florence, where he has illustrated the battles of the Florentines, and in several other rooms of the same palace; he having continued all the later years of his life in the service of Duke Cosimo, by whom the palace was restored and decorated.
In the cell set apart for Cosimo de' Medici, No. 38, which the officials point out, is an Adoration of the Magi, painted there at Cosimo's express wish, that he might be reminded of the humility proper to rulers; and here we get one of the infrequent glimpses of this best and wisest of the Medici, for a portrait of him adorns it, with a wrong death-date on it.
Having thus been engaged on these and some other works in the service of the Duke, until the time when he took to wife the Lady Donna Leonora of Toledo, Battista was next employed in the festive preparations for those nuptials, on the triumphal arch at the Porta al Prato, where Ridolfo Ghirlandajo caused him to execute some scenes of the actions of Signor Giovanni, father of Duke Cosimo.
The herald wound a challenge; and it was answered from the postern by a man-at-arms, whereupon the herald delivered his message. "In the name of our Holy Father and Lord, Paul III, we summon Agostino d'Anguissola here to confer with the High and Mighty Cosimo d'Anguissola, Tyrant of Mondolfo and Carmina."
He did not perceive that the David of Donatello and that of Verrocchio were unlike the marble gods and heroes with whom he would complacently compare them, nor that the bas-reliefs of the divine Ghiberti were far more closely connected with the Gothic work of Orcagna, even of the Pisans, than with those sculptured sarcophagi collected by Cosimo and Piero dei Medici.
Cosimo rose again. "Does it matter to this Court and to the affair at issue what caitiffs he employed?" he asked haughtily. "If they were caitiffs it would not matter," said I. "But they were not. Indeed, to say that it was I who invested his palace is to say too much.
The fingers of his trembling hand tightened about the slender stem of his Venetian goblet, so that it snapped, and there was a gush of crimson wine upon the snowy napery. His lips were drawn back like a dog's in the act of snarling and showed the black stumps of his broken teeth. But he made no sound, uttered no word. It was Cosimo who spoke, half rising as he did so.
COSIMO. I will retourne to thesame, that you said first, that my graundfather and those your Princes, should have doen more wisely, to have resembled the antiquitie in hard thinges, then in the delicate, and I will excuse my parte, for that, the other I shall leave to excuse for you.
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