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Updated: June 29, 2025


The ballads of chivalry, with the exception of those relating to Charlemagne, occupy a less important place than those founded on national subjects. The historical ballads are by far the most numerous and the most interesting; and of those the first in the order of time are those relating to Bernardo del Carpio, concerning whom there are about forty.

In short, I say that this book, and all that may be found treating of those French affairs, should be thrown into or deposited in some dry well, until after more consideration it is settled what is to be done with them; excepting always one 'Bernardo del Carpio' that is going about, and another called 'Roncesvalles; for these, if they come into my hands, shall pass at once into those of the housekeeper, and from hers into the fire without any reprieve."

None of the ballads tell what he did for revenge. We may imagine that he joined his power to the Moors and harried the land of Leon during his after life, at length reaching Alfonso’s heart with his vengeful blade. But of this neither ballad nor legend tells, and with the pathetic scene of the dead father’s release our story ends. Bernardo del Carpio is not the chief Spanish hero of romance.

Everything which passes in their minds and families is not attended with the splendor which surrounds their throne indeed, there are some hours wherein the naked king and the naked cobbler can scarce be distinguished from each other. "Had it not been, however, for my ingratitude to Bernard del Carpio, I believe this would have been my last pilgrimage on earth; for, as to the story of St.

She saw the favourite room of her mother in the tower overhanging the sea, her brothers sprawled on the hearthrug, herself in her own little chair, her mother in her deep invalid sofa holding her youngest child in her arms, while she softly recited the "Evening Prayer at a Girl's School," "The Coronation of Inez del Castro," "Juana," or, to please the more robust taste of the boys, "Bernardo del Carpio," and "Casabianca," the last two in sweet inadequate tones.

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