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Updated: May 22, 2025
Vergil was then twenty-one years of age nearing his twenty-second birthday and we may perhaps assume in Donatus' attribution of the Culex to Vergil's sixteenth year a mistake in some early manuscript which changed the original XXI to XVI, a correction which the citations of Statius and Lucan favor.
"The authenticity of this work," he writes "has found numerous doubters in Spain, less on account of its subject being the only nude female figure in the whole oeuvre of Velasquez than because so few people ever suspected its existence; but after it was exhibited at Manchester in 1857 and in London in 1890, it was recognised that its attribution to Velasquez was well founded.
IV. Whether, considering the not unfrequent testimonies of the Sacred Scripture concerning the natural skill of David, illumined by the gift of the Holy Ghost, in the composition of religious canticles, the institutions laid down by him for the liturgical chant of the Psalms, the attribution to him of Psalms made both in the Old and New Testament and in the very inscriptions which have been prefixed to the Psalms from antiquity, and in addition to all this the agreement of the Jews and the Fathers and Doctors of the Church, it can be prudently denied that David is the principal author of the canticles of the Psaltery, or that it can be affirmed that only a few of the canticles are to be attributed to the Royal Psalmist?
"Patience, father! Presently! You are as bad as Bielfrak himself!" Roschen would say; and as this attribution of gluttony to her father was a time-honored joke between them, they always would laugh over it pleasantly.
The only reason why the documents of modern and contemporary history are found less interesting than those of antiquity and the early middle ages, is that the identity which nearly always obtains between their apparent and their real authorship leaves no room for those knotty problems of attribution in which the virtuosi of criticism are accustomed to display their skill.
Professor Legros with impartial judgment assures us that both are copies of a lost original; 1597, a doubtful attribution, is a rather effeminate John the Baptist, by some critics believed to be a second Gioconda portrait; 1600, the supposed portrait of Lucrezia Crivelli, mistress of Ludovico il Moro, is also ascribed by the official catalogue to Da Vinci.
This persistent attribution of healing skill is not, so far as my acquaintance with medieval Romance goes, paralleled in the case of any other knight; even Tristan, who is probably the most accomplished of heroes of romance, the most thoroughly trained in all branches of knightly education, is not credited with any such knowledge.
To take no account of this attribution would be to show myself as shamelessly as shamefully deficient in that respect and gratitude which all genuine and thankful students will always be as ready to offer as all thankless and insolent sciolists can ever be to disclaim, to the venerable scholar who since I was first engaged on these notes has added yet another obligation to the many under which he had already laid all younger and lesser labourers in the same field of study, by the issue in a form fitly ennobled and enriched of his great historical work on our early stage.
This inattention will, it is obvious, be greatest in the poetic attribution of life and personality to natural objects, in so far as this approximates to a complete momentary illusion. To see a dark overhanging rock as a grim sombre human presence, is for the moment to view it under this aspect only, abstracting from its many obvious unlikenesses.
The mere existence of the idea, all by itself, if only its results were satisfactory, would give full truth to it, it was charged, in our absurd pragmatist epistemology. The solemn attribution of this rubbish to us was also encouraged by two other circumstances.
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