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Updated: June 3, 2025
Then in Asakusa, a native village of Japan, is forty stores and there you see the most beautiful display of rugs, carved ivory and wood, porcelain, jewels, fans, paintings, etc., and the workmen busy making 'em right before your eyes. And in the narrer streets jugglers, acrobats, fortune tellers are giving their mysterious performances.
Sick prisoners were carried to the tamari, which were situated at Asakusa and Shinagawa, and were under the superintendence of the hinin-gashira. All arrangements as to the food, clothing, and medical treatment of prisoners were carefully thought out, but it is not to be supposed that these Bakufu prisons presented many of the features on which modern criminology insists.
That which was used by Kasa Gozen, one of the ladies of Yoshitsuné, the hero of the twelfth century, is still preserved at Asakusa.
At Asakusa, as indeed all over Yedo, are to be found fortunetellers, who prey upon the folly of the superstitious. With a treatise on physiognomy laid on a desk before them, they call out to this man that he has an ill-omened forehead, and to that man that the space between his nose and his lips is unlucky. Their tongues wag like flowing water until the passers-by are attracted to their stalls.
Admired as a thing of beauty for its own sake, it is also used merely as a material for artistic effects; for among the quaintest of such conceits are the Japanese Jarley chrysanthemum works. Every November in the florists' gardens that share the temple grounds at Asakusa may be seen groups of historical and mythological figures composed entirely of chrysanthemum flowers.
If any man were in distress, he would help him, heedless of his own advantage or danger, until men came to look up to him as to a father, and many youths joined him and became his apprentices. So he built a house at Hanakawado, in Asakusa, and lived there with his apprentices, whom he farmed out as spearsmen and footmen to the Daimios and Hatamotos, taking for himself the tithe of their earnings.
As for Kihachi, the Eta chief, and his daughter O Koyo, they were handed over for punishment to the chief of the Etas, and by him they too were banished; while Sazen, against whom the murder of Chokichi had been fully proved, was executed according to law. At Asakusa, in Yedo, there lives a man called Danzayémon, the chief of the Etas.
It soon was reported to him that Banzayémon was earning his living among the mountebanks of Asakusa; so Chôbei communicated this intelligence to Umanosuké, who made his preparations accordingly; and on the following morning the two went to Asakusa, where Banzayémon was astonishing a crowd of country boors by exhibiting tricks with his sword.
Hard by Asakusa is the theatre street. The theatres are called Shiba-i, "turf places," from the fact that the first theatrical performances were held on a turf plot. The origin of the drama in Japan, as elsewhere, was religious. The fire, being the male influence, would assimilate with and act as an antidote upon the mephitic smoke, which was a female influence.
Then Umanosuké, reduced to the last extremity of distress, was forced to lead out Kosanza to Asakusa to beg sitting by the roadside, whilst he himself, wandering hither and thither, picked up what he could from the charity of those who saw his wretched plight.
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