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Updated: June 15, 2025
It contains a portrait from life of the said Cardinal Olivieri Caraffa, Bishop of Ostia, who was buried in this chapel in the year 1511, and afterwards removed to the Piscopio in Naples.
The age of the latter, fourteen, may still be deciphered above his portrait, but that of Ambrose has quite vanished. Between the two is the family name, written in Augsburg fashion, Holbain. At the top of the sheet stands the year of the drawing, almost illegible, but believed to be 1511. Berlin Cabinet Of the elder brother all that is certainly known may be said here once for all.
Two poems, written about the year 1510 or 1511, "The Labyrinth" and "A poetic Fable concerning an Ox and several Beasts," are to be received partly as pictures of the time, and partly as lessons of warning.
His Majesty Emperor Max as early as 1511 took up his quarters at Maistall during his campaign against the Venetians, and he had heard say that in the last century the visitors formed a society and made it a rule that none but the purest German should be spoken.
It is situated on a long, uneven hill, at the foot of which lies the beautiful valley of the Juanjibos and Boqueròn Rivers, which is made a veritable garden of enchantment by the orange, lemon, and tamarind trees, together with various other plants, growing there in abundance. The town was founded in 1511 by Captain Miguel Toro, and has borne the title of city since 1877.
Crowe and Cavalcaselle speak of the two paintings as unconnected with each other, and mention the Pitti one as having unaccountably returned there after having been given to some bishop. There is a fine painting in the church of S. Caterina of Pisa, in the chapel of the Mastiani family, Michele Mastiani having given the commission, and paid thirty ducats, in October, 1511.
In 1511 Diego Velasquez conquered Cuba with 300 men, and here again were enacted the terrible scenes of bloodshed and pillage which have rendered the Spanish name so sadly notorious.
In 1511 a long list of works are enumerated a Nativity, valued two ducats, a Christ bearing the Cross, and an Annunciation, sold to the Gonfaloniere for six ducats pictures which are dispersed in England, Pavia, &c.; but the masterpiece of the time is the Marriage of S. Catherine, now in the Louvre.
Among all the work that finds its climax in the beautiful creations of 1511, only in a few prints of the Little Passion, published in 1511, do we find any dramatic power or creativeness of essential conception.
He needed a horse to ride, and a boy to attend upon him. In consequence we hear a good many complaints of penury, all through his three years at Cambridge, 1511 to 1514. It is worth while to examine in detail the work that he completed during this period on the Letters of Jerome and the New Testament.
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