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Similar crannoges are to be seen on the lakes of Kincardine and Forfar, which Troyon thinks date from the Stone age. If he be right, and we should not like to make any assertion one way or the other, the bronze objects and the enamelled glass bowls found near these dwellings prove that they were occupied by several successive generations.
Nor, except at Troyon, were they near the Chemin des Dames; and not only had the river to be crossed, but the formidable slopes, which the Germans had beeen meticulously fortifying for two and a half years, to be surmounted. The results of the first day's onslaught fell lamentably short of the extravagant anticipations.
It is perfectly plain that Meissonier was not especially enamoured of beauty, as Corot, as Troyon, as Decamps was.
Perhaps it was fortunate that he lived without friendship. His concept of womanhood was incarnate in Madame Troyon; so he gave all the hotel women a wide berth.
And in that strange moment of awakening he was conscious of no individuality: it was, for the time, as if he had passed in slumber from one existence to another, sloughing en passant all his three-fold personality as Marcel Troyon, Michael Lanyard, and the Lone Wolf.
The wit and irony of the man and painter come both from Berlin and from his Jewish ancestry. He looks like a benevolent Mephistopheles, and is kindness personified to young artists. Subjecting himself to the influence of Courbet, Millet, Rousseau, Corot, Troyon, he went to Holland, and there fell captive to the genius of Rembrandt. The mystic in Liebermann is less pronounced than one might expect.
Constant Troyon, from sympathy of aim, is commonly included in this group, although it was gradually, and after success achieved in landscape, that his more powerful cattle pictures were produced, which alone entitle him to the place. Born at Sèvres in 1810, where his father was employed at the manufactory of porcelain, he was thrown in contact with Dupré and Diaz.
The little boy soon learned to know himself as Marcel, which wasn't his name, and before long was unaware he had ever had another. As he grew older he passed as Marcel Troyon; but by then he had forgotten how to speak English.
William Hunt, the New Englander of genius, the "Boston painter" whose authority was greatest during the thirty years from 1857 or so, and with whom for a time in the early period W. J. was to work all devotedly, had prolonged his studies in Paris under the inspiration of Couture and of Edouard Frère; masters in a group completed by three or four of the so finely interesting landscapists of that and the directly previous age, Troyon, Rousseau, Daubigny, even Lambinet and others, and which summed up for the American collector and in the New York and Boston markets the idea of the modern in the masterly.
It is scarcely possible to find in France to-day a figure-painter who is a Daubigny, still less a Jules Dupré. Next to these unquestionably stand such animal-painters as Bonheur and Troyon; and it would be hard among the youngest file of artists to find a figure-painter who in his line should rival Van Marcke in his.
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