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Karlkammer had sent in a long essay on the Sabbatical Year question, which Raphael had revised and published with Karlkammer's title at the head and Karlkammer's name at the foot. Yet, owing to the few rearrangements and inversions of sentences, Karlkammer never identified it as his own, and was perpetually calling to inquire when his article would appear.

Epigrams slightly frayed, a jest or two a trifle stale, humorous inversions of well-known maxims, a biting retort, the originality of which was not entirely free from suspicion, were his contributions to the festivities. Later Kelter's nicely modulated voice and almost affectionate manner restrained Quest from hurling his glass at the inflamed countenance of Mr. Dumont.

In Italian such inversions are permissible; in English they are not; and Mr. Longfellow, by transplanting them into English, sacrifices the spirit to the letter, and creates an obscurity in the translation where all is lucidity in the original. Does not this show that the theory of absolute literality, in the case of two languages so widely different as English and Italian, is not the true one?

It is forced into a sort of superficial conformity, but marks no epoch in the verse. The clusters of rhymes are clusters only to the eye and not to the ear. The necessity of rhyming leads Browning into inversions, into expansions of sentences beyond the natural close of the form, into every sort of contortion. The rhymes clog and distress the sentences. As to grammar, Browning is negligent.

He'd seen every conceivable type of weather target on radar, he told me; thunderstorms, ice-laden clouds, targets caused by temperature inversions, and the works. They all had similar characteristics the target was "fuzzy" and varied in intensity. But in this case the target was a good, solid return and he was convinced that it was caused by a good, solid object.

Its faults were those of youth, the faults of exuberance and of a sensibility, which time corrects. Hyperion, 1820, promised to be his masterpiece, but he left it unfinished "a Titanic torso" because, as he said, "there were too many Miltonic inversions in it." The subject was the displacement by Phoebus Apollo of the ancient sun-god, Hyperion, the last of the Titans who retained his dominion.