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Updated: June 2, 2025
Fa-Hsien does not mention the worship of any female deity, nor does the Life of Vasubandhu, but Asanga appears to allude to Śâktism in one passage. Hsüan Chuang mentions images of Târâ but without hinting at tantric ritual, nor does I-Ching allude to it, nor does the evidence of art and inscriptions attest its existence.
But the commentary on the Bhâshya called Abhidharma-kośa-vyâkhyâ, or Sphuṭârtha, by Yásomitra has been preserved in Sanskrit in Nepal and frequently cites the verses as well as the Bhâshya in the original Sanskrit. About the time of Vasubandhu there existed four schools of Indian Buddhism called Vaibhâshika, Sautrântika, Mâdhyamika and Yoga or Yogâcâra.
But no allusion to him or to any of the Patriarchs after Vasubandhu has been found in Indian literature nor in the works of Hsüan Chuang and I-Ching. The inference is that he was of no importance in India and that his reputation in China was not great before the eighth century: also that the Chinese lists of patriarchs do not represent the traditions of northern India.
Nâgârjuna's authorship is not beyond dispute but these ideas may well represent a type of popular Buddhism slightly posterior to Aśvaghosha. In most lists of patriarchs Nâgârjuna is followed by Deva, also called Âryadeva, Kâṇadeva or Nîlanetra. I-Ching mentions him among the older teachers and a commentary on his principal work, the Śataśâstra, is attributed to Vasubandhu.
Vasubandhu and Asanga appear to have broken up this isolation for they first preached the Vaibhâshika doctrines in a liberal and eclectic form outside Kashmir and then by a natural transition and development went over to the Mahayana. But the Vaibhâshikas did not disappear and were in existence even in the fourteenth century. Their chief tenet was the real existence of external objects.
Little is known of his special teaching but he is regarded as an important doctor and his pupil Dharmatrâta is also important if not as an author at least as a compiler, for Sanskrit collections of verses corresponding to the Pali Dhammapada are ascribed to him. Âryadeva was a native of southern India. The next epoch in the history of Buddhism is marked by the names of Asanga and Vasubandhu.
Hsüan Chuang says that he was carried off in captivity by a king who reigned somewhere in the east of the Pamirs and that he, Aśvaghosha, Nâgârjuna and Deva were styled the four shining suns. Asanga and Vasubandhu were brothers, sons of a Brahman who lived at Peshawar.
In another place where he describes the curriculum followed by monks he says that they learn the Yogâcârya-śâstra first and then eight compositions of Asanga and Vasubandhu. Among the works prescribed for logic is the Nyâyadvâra-śâstra attributed to Nâgârjuna. The monk should learn not only the Abhidharma of the Sarvâstivâdins but also the Âgamas, equivalent to the Sûtra-piṭaka.
Vasubandhu then expanded his verses into a prose commentary, but meanwhile his views had undergone a change and when he disapproved of any Vaibhâshika doctrine, he criticized it. This enlarged edition by no means pleased the brethren of Kashmir and called forth polemics. He also wrote a controversial work against the Sânkhya philosophy.
If Kanishka reigned from about 78 to 123 A.D. or even later, there is no difficulty in supposing that Aśvaghosha flourished in his reign and was followed by Nâgârjuna. There is nothing improbable in supposing that Vasubandhu, who is stated to have lived at Court, was patronized by the early Guptas.
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