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Updated: June 17, 2025
It is situated on the opposite side of the mesa from Sikyatki, a couple of miles northeastward from the ruin. Half-way up the side of the mesa, about opposite Sikyatki, there is a large reservoir, used as a watering place for sheep. The splash of the water, as it falls into this reservoir, is an unusual sound in this arid region, and is worth a tramp of many miles.
If, however, it should prove to be an ancient vessel it would carry back to the time of its manufacture the existence of the katcina cult in Tusayan, no actual proof of the existence of which, at a time when Sikyatki was in its prime, has yet been discovered.
The Ash-hill village was inhabited contemporaneously with Sikyatki, but Kisakobi was of later construction. Neither Sichomovi nor Hano was in existence when Sikyatki was in its prime, nor, indeed, at the time of its abandonment. In 1782 Morfi spoke of Sichomovi as a pueblo recently founded, with but fifteen families. Hano, although older, was certainly not established before 1700.
The ancient inhabitants of Sikyatki have left no written records, for, unlike the more cultured people of Central America, they had no codices; but they have left on their old mortuary pottery a large body of picture writings or paleography which reveals many instructive phases of their former culture.
From an examination of the various figures of birds on the Sikyatki pottery, and an analysis of the appendages to the wings, body, and legs, it is possible to determine the symbolic markings characteristic of two different kinds of feathers, the large wing or tail feathers and the so-called breath or body feathers.
While in the specimens from Sikyatki the break is simple and confined to one point, in those from other regions we find two or three similar failures in the continuity of encircling lines, and in some instances the lines at the point of separation are modified into spirals, terraces, and other forms of geometric figures.
Specimens of strings and ropes of yucca, which were comparatively abundant at Awatobi, were not found at Sikyatki; yet their absence by no means proves that they were not used, for the marks of the strings used to bind feathers to the mortuary pahos, on the green paint with which the wood was covered, may still be readily seen.
A spiral line with round spots at intervals adorns the specimen shown in plate CLXI, a. Parallel lines with similar spots appear on the vessel illustrated in plate CLXII, e, and a network of the same is shown in f of the same plate. Plate CLXVII, b, represents a compound star. While simple swasticas are not found on any of the Sikyatki pottery, modified and compound forms are well represented.
From the kinship of the ancient accolents of Sikyatki with the Flute people, it is to be expected that in their designs figures of asters or sunflowers would appear, for these plants play a not inconspicuous rôle in the ritual of this society which has survived to modern times.
From the pose of the figure and the various details of its symbolism there can be little doubt that the ancient Sikyatki artists intended to represent this monster, of which the modern Hopi rarely speak, and then only in awe.
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