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Updated: May 28, 2025
The ultimate principles of beauty, according to which the eye judges 'senza appello, are for Firenzuola a secret, as he frankly confesses; and his definitions of 'Leggiadria, 'Grazia, 'Aria, 'Maesta, 'Vaghezza, 'Venusta, are partly, as has been remarked, philological, and partly vain attempts to utter the unutterable.
Then, if it were the last night of Carnival, as the purple air grew brown in the dusk, myriads of those wax tapers first used in Saturn's temple of old lit up the street like magic and the last game of all began, for every man and woman and child strove to put out another's candle, and the long, laughing cry, 'No taper! No taper! Senza moccolo! went ringing up to the darkling sky.
May it perhaps be that by saying "We must not talk about it," they succeed in not thinking about it? Our will is weakened? And what then? We lose the capacity for human action? And what then? It is very convenient to tell a man whom a fatal disease condemns to an early death, and who knows it, not to think about it. Meglio oprando obliar, senzá indagarlo, Questo enorme mister del universo!
In a moment she sinks back lifeless, and he pours forth his despair in the immortal strains of 'Che farò senza Euridice. Eros then appears, and tells him that the gods have had pity upon his sorrow. He transports him to the Temple of Love, where Eurydice, restored to life, is awaiting him, and the opera ends with conventional rejoicings.
There exists an old book or pamphlet entitled "Napoli senza sole" Naples without sun. The feat could have been accomplished formerly even in Rome, which was always less umbrageous than Naples. It is out of the question nowadays. You must do as the Romans do walk slowly and use the tram whenever possible. That is what I purpose to do.
When only a formal introduction of them is made to a dish, I confess that the result is far from disagreeable; but that close, intimate, and absorbing relation existing between them and the lowest classes is frightful. Senza complimenti, it is "tolerable and not to be endured."
Sir David Wilkie said of the Madonna of Mercy, 'that it contained the merits of Raphael, of Titian, of Rembrandt, and of Rubens. He was first a goldsmith, but soon turned painter, winning early the commendatory title of 'Andrea senza errori, or 'Andrea the Faultless. His life is a miserable and tragic history.
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