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It is a quality, not a defect, of all photoplays that human beings tend to become dolls and mechanisms, and dolls and mechanisms tend to become human. But the haughty, who scorn the moving pictures, cannot rid themselves of the feeling that they are being seduced into going into some sort of a Punch-and-Judy show.

Just as the plays of Shaw or Ibsen address a different audience from that reached by the "Old Homestead" or "Ben Hur," we have already photoplays adapted to different types, and there is not the slightest reason to connect with the art of the screen an intellectual flabbiness.

In the early days when the great stages for the production of photoplays had not been built, the moving picture industry relied in a much higher degree than today on this supply from the surrounding public life.

He has the mask of the Ku Klux Klan on his face till the crisis has passed. The wrath of the Southerner against the blacks and their Northern organizers has been piled up through many previous scenes. As a result this rescue is a real climax, something the photoplays that trace strictly personal hatreds cannot achieve. The Birth of a Nation is a Crowd Picture in a triple sense.

An Imagist film would offer a noble challenge to the overstrained emotion, the over-loaded splendor, the mere repetition of what are at present the finest photoplays. Now even the masterpieces are incontinent. Except for some of the old one-reel Biographs of Griffith's beginning, there is nothing of Doric restraint from the best to the worst.

In making the final revision, looking up the producers of the important reels, especially those from the beginning of the photoplay business, numbers of times the photoplays have turned out to be the work of this former leading man of Nance O'Neil. No one can pretend to a full knowledge of the films. They come faster than rain in April.

It would be no gain for intellectual culture if all the reasoning were confined to the so-called instructive pictures and the photoplays were served without any intellectual salt.

He needs his foregrounds, leading actors, and types of plot. But the American has never gone as deep as the Italian into landscapes that are their own tragedians, and into Satanic and celestial ceremonials. Judith of Bethulia and The Battle Hymn of the Republic have impressed me as the two most significant photoplays I have ever encountered.

I would prefer photoplays filled with such visions and oracles to the state papers written by "practical men." As it is, we are ruled indirectly by photoplays owned and controlled by men who should be in the shoe-string and hook-and-eye trade. Apparently their digestions are good, they are in excellent health, and they keep out of jail.

This chapter does not advocate that the Church lay hold of the photoplays as one more medium for reillustrating the stories of the Bible as they are given in the Sunday-school papers. It is not pietistic simpering that will feed the spirit of Christendom, but a steady church-patronage of the most skilful and original motion picture artists.