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He remained there perfectly still, exchanging a long look with Miette, in whose glance, deepened by death, he still seemed to read the girl's lament for her sad fate. In the meantime, the cavalry were still sabring the fugitives over the Nores plain; the cries of the wounded and the galloping of the horses became more distant, softening like music wafted from afar through the clear air.
That was, indeed, an impregnable position for any one who knew how to defend it. The houses of Sainte-Roure rise in tiers along a hill-side; behind the town all approach is shut off by enormous rocks, so that this kind of citadel can only be reached by the Nores plain, which spreads out at the foot of the plateau.
This roused shouts and murmurs of rage, as if to say, "The cowards! Oh! the cowards!" sinister rumours were spreading the general had fled; cavalry were sabring the skirmishers in the Nores plain. However, the irregular firing did not cease, every now and again sudden bursts of flame sped through the clouds of smoke. A gruff voice, the voice of terror, shouted yet louder: "Every man for himself!
De Nores replied in an Apologia , disclaiming all personal allusion, and the poet finally answered back in a Verato secondo, first published in 1593, after his antagonist's death, restating his arguments and seasoning them with a good deal of unmannerly abuse.
The man with the sabre, surrounded by the folks from Faverolles, marched off with several of the country contingents Vernoux, Corbiere, Marsanne, and Pruinas to outflank the enemy and then attack him. Other contingents, from Valqueyras, Nazere, Castel-le-Vieux, Les Roches-Noires, and Murdaran, dashed to the left, scattering themselves in skirmishing parties over the Nores plain.
Were further evidence needed to show that the allusion is to the Italian rather than to the classical eclogue, it might be found in the fact that the passage in question was Guarini's answer to the following criticism of De Nores, as to the meaning of which there can be no two opinions.
As early as 1587 a certain Giasone de Nores or Denores, a Cypriot noble who held the chair of moral philosophy at the university of Padua, published a pamphlet on the relations existing between different forms of literature and the philosophy of government, in which, while refraining from any specific allusions, he denounced tragi-comedies and pastorals as 'monstrous and disproportionate compositions ... contrary to the principles of moral and civil philosophy. Guarini argued that, as his play was the only one deserving to be called a tragi-comedy and was at the same time a pastoral, the reference was palpable.
But the gaiety was now increasing, and exclamations of rapture rang through the yellow drawing-room when the dessert appeared. At that same hour, the Faubourg was still shuddering at the tragedy which had just stained the Aire Saint-Mittre with blood. The return of the troops, after the carnage on the Nores plain, had been marked by the most cruel reprisals.
The troops had disappeared, hidden by an undulation of the ground; but over yonder, on the side of the Nores plain, the insurgents soon perceived the bayonets shooting up, one after another, like a field of steel-eared corn under the rising sun. At that moment Silvere, who was glowing with feverish agitation, fancied he could see the gendarme whose blood had stained his hands.
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