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"That's certain, my dear," retorted Celia impetuously. "At first people were in doubt, and talked of little Pontecorvo and Lieutenant Moretta. But every one now knows that La Tonietta's caprice is Dario. Besides, he joined her in her box at the Costanzi the other evening." Pierre remembered that the young Prince had pointed out La Tonietta at the Pincio one afternoon.
Marco himself married after his return to Venice from Genoa, and left two daughters, Moretta and Fantina, but had no male issue. He is said to have received among his countrymen the name of Marco Millioni, because he and his family had acquired a fortune of a million of ducats in the east.
The Bailo Dona sent one of his men who played the violin well enough for dancing purposes. As soon as the musician was ready, a door was thrown open, and a fine looking woman came in, her face covered with a black velvet mask, such as we call moretta in Venice.
"Come, come," Prada resumed, "since you know the truth, I'm determined that you shall tell me. Will it be Cardinal Moretta?" Santobono, in spite of his evident desire to remain dignified and disinterested, like a good, pious priest, was gradually growing impassioned, yielding to the hidden fire which consumed him.
"That's certain, my dear," retorted Celia impetuously. "At first people were in doubt, and talked of little Pontecorvo and Lieutenant Moretta. But every one now knows that La Tonietta's caprice is Dario. Besides, he joined her in her box at the Costanzi the other evening." Pierre remembered that the young Prince had pointed out La Tonietta at the Pincio one afternoon.
The Bailo Dona sent one of his men who played the violin well enough for dancing purposes. As soon as the musician was ready, a door was thrown open, and a fine looking woman came in, her face covered with a black velvet mask, such as we call moretta in Venice.
Two more and a traghetto and the Rio S. Toma; then the Palazzo Giustiniani, a rich Venetian red, with a glimpse of a courtyard; then the ugliest building in the canal, also red, like the back of a block of flats; and after passing the pretty little Gothic Tiepolo palace with blue posts with yellow bands, and the larger Palazzo Tiepolo adjoining it, we are at the fine fifteenth-century Pisani Moretta, with a double row of rich Gothic windows.
This is another work which has undergone more than one transformation in the course of its records. As late as 1657 it was correctly ascribed to Holbein in the Modena Collection. But the first syllable of the sitter's name has been its only constant. In time Morett slipped into Moretta, and then like Meier in the Madonna picture into Morus. So far it seems to have clung to some English tradition. But when Morus got changed to Moro it was but natural for an Italian to think of Ludovico Sforza, "Il Moro." Long before this Holbein had become Olbeno; and thereafter a puzzle. When the portrait was labelled Sforza, however, who could its obviously great painter be but Leonardo? Et voil
"Come, come," Prada resumed, "since you know the truth, I'm determined that you shall tell me. Will it be Cardinal Moretta?" Santobono, in spite of his evident desire to remain dignified and disinterested, like a good, pious priest, was gradually growing impassioned, yielding to the hidden fire which consumed him.
And this interrogatory finished him off; he could no longer restrain himself, but replied: "Moretta! What an idea! Why, he is sold to all Europe!" "Well, will it be Cardinal Bartolini?" "Oh! you can't think that. Bartolini has used himself up in striving for everything and getting nothing." "Will it be Cardinal Dozio, then?" "Dozio, Dozio!
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