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Updated: May 2, 2025


I say, that he is exactly like the busts of Silenus, which are set up in the statuaries' shops, holding pipes and flutes in their mouths; and they are made to open in the middle, and have images of gods inside them. I say also that he is like Marsyas the satyr. You yourself will not deny, Socrates, that your face is like that of a satyr. Aye, and there is a resemblance in other points too.

Hyagnis, according to tradition, was the father and instructor of the piper Marsyas, and skilled in song beyond all others in the years when music was still in its infancy. It is true that as yet the sound of his breath lacked the finer modulations; he knew but a few simple modes and his pipe had but few stops. For the art was but newly born and only just beginning to grow.

He blew upon it, and drew from it such ravishing sounds that he was tempted to challenge Apollo himself to a musical contest. The god of course triumphed, and punished Marsyas by flaying him alive. Melampus was the first mortal endowed with prophetic powers. Before his house there stood an oak tree containing a serpent's nest.

And having in other ways encouraged the people, and, as his manner was, raised their spirits up with hopes, he, with some others, was sent ambassador to Thebes. To oppose him, as Marsyas says, Philip also sent thither his envoys, Amyntas and Clearellus, two Macedonians, besides Daochus, a Thessalian, and Thrasydaeus.

In addition to these works, that garden was full of torsi of men and women, which were a school not only for Mariotto, but for all the sculptors and painters of his time. A good part of these are now in the guardaroba of Duke Cosimo, and others, such as the two torsi of Marsyas, the heads over the windows, and those of the Emperors over the doors, are still in the same place.

And so well did the elderly Nubian succeed that Marsyas, a handsome young Ligurian, after she had gone, declared that Aisopion's jokes and stories were enough to bring the dead to life, and it was as pleasant to talk seriously with the brown-skinned monster as to dally with a fair-haired sweetheart.

The square pictures by Raphael refer: the Fall of Man to Theology; the Study of the Globe to Philosophy; the Flaying of Marsyas to Poetry; and the Judgment of Solomon to Jurisprudence. 'Entrance Wall. "The School of Athens." Raphael consulted Ariosto as to the arrangement of its 52 figures.

None of George's pictures sold. He has enough to tapestry Trafalgar Square. He has painted, since he came back to England, "The Flaying of Marsyas," "The Smothering of the Little Boys in the Tower," "A Plague Scene during the Great Pestilence," "Ugolino on the Seventh Day after he was deprived of Victuals," &c.

What makes him particularly beautiful is that he is beardless. If his hips were less narrow, one might take him for a woman in disguise. The curious expression about the mouth, the lion's lip which slightly discloses the teeth beneath, lends a flashing tinge of cruelty to the beautiful face Apollo flaying Marsyas.

To the R. is a fine Marsyas, doomed to be flayed alive by order of Apollo; to L. 562, the Borghese Centaur, and near the exit, 529, the charming Diana of Gabii, a Greek girl fastening her mantle.

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