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Updated: May 2, 2025
He blew upon it, and drew from it such ravishing sounds that he was tempted to challenge Apollo himself to a musical contest. The god of course triumphed, and punished Marsyas by flaying him alive. Melampus was the first mortal endowed with prophetic powers. Before his house there stood an oak tree containing a serpent's nest.
Side by side, in the heart of every free man, and every free people, are the two instincts struggling for the mastery, called by the same name, but bearing the same relation to each other as Marsyas to Apollo, the Satyr to the God. Marsyas and Apollo, the base and the noble, are, as in the old Greek legend, contending for the prize.
A reminiscence of the manner in which these old representatives of the deity were put to death is perhaps preserved in the famous story of Marsyas. He was said to be a Phrygian satyr or Silenus, according to others a shepherd or herdsman, who played sweetly on the flute. A friend of Cybele, he roamed the country with the disconsolate goddess to soothe her grief for the death of Attis.
After Charmian had left the palace the following morning, Anukis again sought Marsyas and learned from him for what purpose and at what hour Iras had summoned Alexas. His master was continually whispering with the languishing Macedonian.
They soon appeared again in the field to face their enemies; and being posted as before, both the armies seemed more resolute and cheerful than ever. Now the martial concert began, and the music was above a hemiole the quicker, according to the warlike Phrygian mode, such as was invented by Marsyas.
The while that the works of Lorenzo were every day adding lustre to his name, by reason of his labouring and serving innumerable persons, working in bronze as well as in silver and gold, it chanced that there fell into the hands of Giovanni, son of Cosimo de' Medici, a very large cornelian containing the flaying of Marsyas by command of Apollo, engraved in intaglio; which cornelian, so it is said, once served the Emperor Nero for a seal.
A man might possess the instrument of a Marsyas or an Olympus, and still he would not be able to play it if he had never learnt. Take another case: a man gets hold of Heracles's bow and arrows: but he is no Philoctetes; he has neither that marksman's strength nor his eye. What do you say? will he acquit himself creditably? Again you shake your head.
Minerva invented the flute, and played upon it to the delight of all the celestial auditors; but the mischievous urchin Cupid having dared to laugh at the queer face which the goddess made while playing, Minerva threw the instrument indignantly away, and it fell down to earth, and was found by Marsyas.
In this Phrygian satyr, shepherd, or herdsman who enjoyed the friendship of Cybele, practised the music so characteristic of her rites, and died a violent death on her sacred tree, the pine, may we not detect a close resemblance to Attis, the favourite shepherd or herdsman of the goddess, who is himself described as a piper, is said to have perished under a pine-tree, and was annually represented by an effigy hung, like Marsyas, upon a pine?
He begins by comparing Socrates first to the busts of Silenus, which have images of the gods inside them; and, secondly, to Marsyas the flute-player. For Socrates produces the same effect with the voice which Marsyas did with the flute.
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