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Updated: May 27, 2025
This story, with Manzoni's "Colonna Infame" and Cantu's "Vita di Beccaria," led me to take up the history of criminal law, and especially the development of torture in procedure and punishment. Much time during two or three years was given to this subject, and a winter at Stuttgart in 1877-1878 was entirely devoted to it.
They walked up the last and steepest hill, or rather bounded along the well known side path, catching at the long trailing wreaths of the dogrose, peeping over the gates which broke the high hedge, where Marian, as she saw the moors, could only relieve her heart by pronouncing to herself those words of Manzoni's Lucia, "Vedo i miei monti."
His mother told him to look upon me as his father from henceforth. The lad recognized me; he remembered, much to my delight, seeing me in the May of 1753, in Venice, at Madame Manzoni's. He was slight but strong; his limbs were well proportioned, and his features intellectual. He was thirteen years old. His sister sat perfectly still, apparently waiting for her turn to come.
I cited the similar story from Manzoni's "Promessi Sposi"; but, to my surprise, he seemed to know little of that most fascinating of historical romances.
If the count's story had surprised me, the simplicity with which he told it had given me pleasure; and I was resolved to do honour to Madame Manzoni's introduction, feeling that it was my duty to serve a fellow-countryman, who was really guilty of nothing worse than gross thoughtlessness. "Begin," said I, "by bringing your small belongings to the room next to mine, and get your meals there.
It was easy, for instance, to accuse of weakness the amiable sentimentality of the Marquis Gustavo Cavour, who evoked Padre Cristoforo from Manzoni's Promessi Sposi to plead for his fellow friars; but there was no destroying the force, so far as it went, of Count Solaro's question, Were they Catholics, or were they not?
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