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While I thought I was gaining ground with Fabio, I was actually losing it. My first suspicions were excited by a change in Luca Lomi's conduct toward me. He grew cold, neglectful at last absolutely rude. I was resolved not to see this; but accident soon obliged me to open my eyes. One morning I heard Fabio and Maddalena talking of me when they imagined I had left the studio.

"That awkward child would be pretty," said Mademoiselle Virginie, making rapid progress with the cutting-out of her dress, "if she knew how to give herself a complexion, and had a presentable gown on her back. Who is she?" "The friend who is to get me into Master Luca Lomi's studio," replied Brigida, laughing. "Rather a curious ally for me to take up with, isn't she?"

All three were tall, handsome, dark-haired, and dark-eyed; nevertheless, they differed in expression, strikingly as they resembled one another in feature. Maddalena Lomi's face betrayed strong passions, but not an ungenerous nature.

The dog was Scarammuccia, returning from one of his marauding expeditions The lady was Brigida, on her way to Luca Lomi's studio. Some minutes before nine o'clock the priest took his post in the street, opposite Nanina's window. It was open; but neither she nor her little sister appeared at it.

Old recollections of the first day when he met with Nanina, of the first sitting she had given him in Luca Lomi's studio, of the first visit to the neat little room in the by-street, began to rise more and more vividly in his mind.

The studio of the master-sculptor, Luca Lomi, was composed of two large rooms unequally divided by a wooden partition, with an arched doorway cut in the middle of it. While the milliners of the Grifoni establishment were industriously shaping dresses, the sculptors in Luca Lomi's workshop were, in their way, quite as hard at work shaping marble and clay.

He swore that he would have all Italy searched for the girl, that he would be the death of the priest, and that he would never enter Luca Lomi's studio again " "And, as to this last particular, of course, being a man, he failed to keep his word?" "Of course. At that first visit of mine to the studio I discovered two things.

Father Rocco, some weeks after the cessation of his intercourse with Fabio, returned one morning to his old way of life as a sculptor, and opened the long-closed doors of his brother's studio. Luca Lomi's former workmen, discovering this, applied to him immediately for employment; but were informed that their services would not be needed.