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Updated: May 23, 2025
Laurinda thus appoints a choice to her brace of lovers: Another passage of deliberate poetic elaboration is the monologue of Claius on once again treading his native soil: By far the greater part of the play is in blank verse, but in a few passages, particularly in certain dialogues tending to stichomythia, the verse is pointed, so to speak, with rime.
Claius, in his anxiety to make Amarillis reveal her assassin, betrays his own identity, to the joy of his old enemy Pilumnus. Alexis now returns with Laurinda, and upon hearing the letter which Amarillis had written, Damon confesses his crime and declares that henceforth his love is for none but her.
It is Laurinda's choice of Alexis that leads to the union of Damon and Amarillis, and it is not till Damon has unconsciously fulfilled the oracle and been freed by its interpretation, that the loves of Laurinda and Alexis can hope for a happy event.
In the meanwhile Amarillis had conceived an unhappy passion for Damon, who in his turn sought the love of the nymph Laurinda, having for rival Alexis. This is the situation at the opening of the action.
She reveals herself as Amarillis, and Damon, fearing that she will decide against him, refuses to be bound by the award of so partial an arbiter. Alexis thereupon goes off to fetch Laurinda, who shall force him to abide by his oath, while Damon in a fit of rage seeks to prevent Amarillis' verdict by slaying her. He wounds her with his spear and leaves her for dead.
She recovers consciousness, however, when he has fled, and with her blood writes a letter to Laurinda bequeathing to her all interest in Damon. At this point Claius returns upon the scene, and finding her wounded applies remedies. Damon too is led back by an evil conscience, and Pilumnus likewise appears.
In the first act we find Laurinda unable or unwilling to decide between her rival lovers, and her endeavours to play them off one against the other afford some of the most amusing scenes of the piece. Learning from Thestylis of Amarillis' love for Damon, she determines on a trick whereby she hopes to make her choice without appearing to slight either of her suitors.
Thus each supplies the elements wanting in the other, and if woven together harmoniously, should have been capable of forming the basis of a well-constructed play. The first of these groups consists of Laurinda, Alexis, Damon, and Amarillis, the last two being really the dramatically important ones, though their fortunes are connected throughout.
Claius' blood, he argues, has been already shed in Amarillis, and has quenched the fire of Damon's love for Laurinda, rekindling it again to Amarillis' self. Moreover, had not the oracle warned them that the recognized guardians of wisdom would fail to interpret truly, and that such a scorned wit as that of the 'mad Amyntas' would discover the meaning?
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