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Where had Appenzelder discovered the marvellous boy who sang this "Quia amore langueo"? He sent Don Luis Quijada to assure the leader and the young singer of his warmest approbation, and then permitted the Queen also to seek the choir and its leader to ask whom the latter had succeeded in obtaining in the place of the lad from Cologne, whom he had often heard sing the "tu pulchra es," but with incomparably less depth of feeling.

But only the marvellously beautiful melody of one haunted me. I can hear it still. The irresistible magic of this 'Amore langueo' mingled even in my conversation with Granvelle." Then he passed his hand across his lofty brow, and in a different tone asked Wolf, "So it is a girl, and a native of this city?" "Yes, your Majesty," was the reply.

Though her voice was no longer so free from sharpness and harshness as in the old days, it by no means jarred upon the ear; nay, every tone revealed its admirable training. She had broken the long silence with Josquin's motet, "Quia amore langueo," and in her quiet chamber dedicated it, as it were, to the man to whom this cry of longing had been so dear.

But only the marvellously beautiful melody of one haunted me. I can hear it still. The irresistible magic of this 'Amore langueo' mingled even in my conversation with Granvelle." Then he passed his hand across his lofty brow, and in a different tone asked Wolf, "So it is a girl, and a native of this city?" "Yes, your Majesty," was the reply.

The Emperor then carried on a short conversation with Quijada, which was unintelligible to Barbara; and after he had retired to summon the marquise, Charles profited, like an impetuous youth, by the brief period in which he was again alone with his love, and entreated her to consider that, if she remained absent long, the "amore langueo" would rob him of his reason.

He thought of the pleasure which the previous evening had afforded, and suddenly it seemed as if he again heard the "Quia amore langueo" "Because I long for love" that had touched his soul the day before.

The joy which filled her little heart appeared too rich and great for it when, repeating the "Amore langueo" with her head upon his breast, he whispered sweet love phrases and confessed that those words, since she had sung them for the first time, had echoed through his hours of reflection, through the cares of business, through the brief hours of repose which he allowed himself, and so it must continue, and her love, her voice, and her beauty render the downward path of life the fairest portion which he had traversed.

Barbara's voice had lent a special charm to this magnificent motet, and, when she concluded the "Quia amore langueo" "Because I yearn for love" to which she had long given the preference when she felt impelled to relieve her heart from unsatisfied yearning, she had seen Gombert look at the choir leader, and understood the "inimitable" which was not intended for her, but for his fellow-artist.

This time it gave the most beautiful portion of Joscluin de Pres's hymn to the Virgin, "Ecce tu pulchra es"; and when Barbara's "Quia amore langueo" reached his ear and heart with its love-yearning melody, he nodded to his sister with wondering delight, and then listened, as if rapt from the world, until the last notes of the motet died away.

Finally, he had spoken of her singing with rapturous delight. At night the "Quia amore langueo" from the Mary motet had echoed softly from his lips, and when he perceived that Don Luis had heard him, he murmured that this peerless cry of longing, reminded him not of the earthly but the heavenly love.