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Updated: June 27, 2025


Had Langland not linked his literary fortunes with an uncouth and obsolescent verse, and had he possessed a finer artistic sense and a higher poetic imagination, his book might have been, like Chaucer's, among the lasting glories of our tongue. As it is, it is forgotten by all but professional students of literature and history.

Still more curiously, Chaucer, Langland, and Wycliff, who all witnessed it, hardly mention it at all. There could not be any more eloquent tribute to the nameless horror that it caused than this hushed silence on the part of three of England's greatest writers.

There were seasons of the year during which employment for the floating mass of labour was hard to find. In the long interval between harvest-tide and harvest-tide work and food were alike scarce in every homestead of the time. Some lines of William Langland give us the picture of a farm of the day.

Chaucer wrote in the true spirit of comedy mores corrigere ridendo, but Langland, his contemporary, who described similar types of men of State as well as of Church, did so from the point of view of a moral reformer whose satire is a trenchant weapon.

Even the peasant was beginning to feel the amelioration of his lot, found life easy, and work something to be shirked. In his food, he was starting to be delicate. Says Langland in his "Vision of Piers Plowman": "Then labourers landless that lived by their hands, Would deign not to dine upon worts a day old.

The strife indeed which Langland would have averted raged only the fiercer as the dark years went by. If the Statutes of Labourers were powerless for their immediate ends, either in reducing the actual rate of wages or in restricting the mass of floating labour to definite areas of employment, they proved effective in sowing hatred between employer and employed, between rich and poor.

His claim upon our gratitude is twofold: first, for discovering the music that is in our English speech; and second, for his influence in fixing the Midland dialect as the literary language of England. LIFE. Very little is known of Langland. He was born probably near Malvern, in Worcestershire, the son of a poor freeman, and in his early life lived in the fields as a shepherd.

Although people had, for many years, been writing rhyming verse, Langland has, you see, gone back to the old alliterative poetry. Perhaps it was that, living far away in the country, Langland had written his poem before he had heard of the new kind of rhyming verses, for news traveled slowly in those days.

I had some talk with one Langland and a man by the name of Chaucer old-time poets but it was no use, I couldn't quite understand them, and they couldn't quite understand me. I have had letters from them since, but it is such broken English I can't make it out.

When we have read it, we seem to see him, tall and thin, with lean earnest face, out of which shine great eyes, the eyes that see visions. His head is shaven like a monk's; he wears a shabby long gown which flaps in the breeze as he strides along. Langland was born in the country, perhaps in Oxfordshire, perhaps in Shropshire, and he went to school at Great Malvern. He loved school, for he says:

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