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Updated: June 6, 2025
Jarndyce's love, and he thinks you'll like to teach me now and then. And if you please, Tom and Emma and me is to see each other once a month. And I'm so happy and so thankful, miss," cried Charley with a heaving heart, "and I'll try to be such a good maid!" "Oh, Charley dear, never forget who did all this!" "No, miss, I never will. Nor Tom won't. Nor yet Emma. It was all you, miss."
Bucket stood with his eyes fastened on his confidential friend and his hand stretched forth ready to take the paper and present it to my guardian. It was not produced without much reluctance and many declarations on the part of Mr. Smallweed that he was a poor industrious man and that he left it to Mr. Jarndyce's honour not to let him lose by his honesty.
"If you please, miss, I'm a present to you, with Mr. Jarndyce's love." I sat down with my hand on Charley's neck and looked at Charley. "And oh, miss," says Charley, clapping her hands, with the tears starting down her dimpled cheeks, "Tom's at school, if you please, and learning so good! And little Emma, she's with Mrs. Blinder, miss, a-being took such care of!
And what does she tell our young friend but that there has been a lady with a veil inquiring at her cottage after my dear Fitz Jarndyce's health and taking a handkerchief away with her as a little keepsake merely because it was my amiable Fitz Jarndyce's! Now, you know, so very prepossessing in the lady with the veil!"
I can sketch Coavins's, but I cannot alter it: I can set it to music, on Coavins's piano; but how melancholy are the jingling strains of that dilapidated instrument! At Jarndyce's house, when I am there, I am in possession of it: here Coavins's is in possession of me of the person of Harold Skimpole. And why am I here? Why am I far from landscape, music, conversation?
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