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Updated: May 12, 2025


And later on in the evening, when the party adjourned to the drawing- room, the soldier again found his endeavours to pose as a persona grata quietly ignored. He would fain have monopolised the society of Dona Isolda for the remainder of the evening, and attempted to carry her off with him to a remote corner of the room, but Carlos would have none of it.

Then Andre was full of his plans for the future, and Isolda stroked his fair hair, remarking that he must be feeling very tired.

But in truth, Isolda had not forgotten him, her faithful friend; and when both were laid in their graves, one, on each side of the church, the linden-trees that grew by each grave spread over the roof, and, bending towards each other, mingled their blossoms together.

Isolda is now going to extinguish the torch, as a signal to Tristan that he may approach. Brangaena protests, and warns Isolda against Melot, who has arranged this night hunt as a trap to catch Tristan; and she bewails the officiousness which led her to substitute the love-philtre for the poison. The rest of the scene may be passed over. Of course, Isolda prevails.

At the last he sees Isolda throwing down the torch as she did in Act II, and as darkness comes over his eyes we hear the same music combined with the love-themes. There is only one thing of the kind to match Isolda's lament Donna Anna's grief over her father's body in Don Giovanni. The rest of the act is largely made up of music which has been heard before.

For those who have ears, eyes and understanding Tristan and Isolda is Wagner's most perfect work, is the finest opera in the world.

The blending of the death-theme with one of the love-themes, when Isolda speaks of love's goddess, "the queen who grants unquailing hearts ... life and death she holds in her hands," is one of the miracles of music stern beauty made up of defiance of fate and careless voluptuousness.

Conversing thus, they at length turned their horses' heads and slowly took their way back toward the house; and by the time that they reached it Jack found himself upon terms of almost as complete intimacy with Senorita Isolda as those he was on with her brother.

This is a drama of passion pitted against reason against everything excepting passion, and Wagner loses no chance of making the situation clear. Here, as in every other opera, he is, if not first a dramatist, yet always a dramatist. "Never!" screams Isolda, and curses the vessel and all that it holds. Astounded, Brangaena tries to comfort her; but Isolda is a woman, and means to have her way.

I believe this is what has occurred in the case of the Montijos: this fellow Alvaros has somehow managed to work himself into a position of very considerable power, and I have little doubt that he, and he only, is responsible for the whole shameful business, which, in my opinion, has been neither more nor less than a determined but unsuccessful attempt to force the unhappy Senorita Isolda into a marriage with him!"

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