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The sylvan deity stood, in fact, at the entrance of his cavern, about to proceed in quest of his goats. The appearance of Iridion operated a change in his intention, and he courteously escorted her to a seat of turf erected for the special accommodation of his fair visitors, while he placed for himself one of stone. "Pan," she began, "I have broken my lily." "That is a sad pity, child.

She was a wise Firefly, well satisfied with the world and everything in it, more particularly her own tail. And if the Magician would have made a pet of her no doubt she would have abode with him. But he never looked at her. Iridion had broken her lily. A misfortune for any rustic nymph, but especially for her, since her life depended upon it.

Meditation upon an utterly vague subject, whether of apprehension or of hope, speedily lapses into reverie. To Iridion, Death was as indefinable an object of thought as the twin omnipotent controller of human destiny, Love. Love, like the immature fruit on the bough, hung unsoliciting and unsolicited as yet, but slowly ripening to the maiden's hand.

Not one had fallen as yet, and Iridion felt no pain or any symptom of approaching dissolution, except, it may be, the unwonted seriousness with which, having exhausted all her simple skill on behalf of the languishing plant, she sat down to consider its fate in the light of its bearing upon her own.

Pan, looking eagerly after the Psyche in its flight, did not perceive what was taking place in the cavern; but the magic wand, now for ever lost to its possessor, must have cancelled its own spell, for when his gaze reverted from the ineffectual pursuit, the living lily had disappeared, and Iridion lay a corpse upon the ground, the faded flower of her destiny reposing upon her breast.

"Aha!" he suddenly exclaimed, "I have it!" "What have you, Pan?" faintly lisped the expiring Iridion. Instead of replying, Pan grasped a wand that leaned against the wall of his grot, and with it touched the maiden and the flower. O strange metamorphosis!

Death, a vague film in an illimitable sky, tempered without obscuring the sunshine of her life. Confronted with it suddenly, she found it, in truth, an impalpable cloud, and herself as little competent as the gravest philosopher to answer the self-suggested inquiry, "What shall I be when I am no longer Iridion?"

Iridion, however, decided that the occasion would warrant her incurring the risk even of a kiss, and lost no time in setting forth upon her errand, carrying her poor broken flower in its earthen vase. It was the time of day when the god might be supposed to be arousing himself from his afternoon's siesta. She did not fear that his door would be closed against her, for he had no door.

Where the latter had been pining in its vase, a lovely girl, the image of Iridion, lay along the ground with dishevelled hair, clammy brow, and features slightly distorted by the last struggles of death. On the ferny couch stood an earthen vase, from which rose a magnificent lily, stately, with unfractured stem, and with no stain or wrinkle on its numerous petals.

The stranger, without disturbing his veil, seemed to comprehend the whole interior of the grotto with a glance; then, with the slightest gesture of recognition to Pan, he glided to the couch on which lay the metamorphosed lily, upraised the fictitious Iridion in his arms with indescribable gentleness, and disappeared with her as swiftly and silently as he had come.