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Updated: May 19, 2025
It would seem, therefore, that, in view of its bright outlook, mature view, and sympathetic treatment, Immermann's greatest epic in prose was destined to be read in its entirety, frequently, and with pleasure. This is, however, not the case.
But love dispels all fears and doubts, and the good Deacon makes Oswald and Lisbeth man and wife. Immermann's lifelong attempts at the studied poetizations of traditional, aristocratic, high-flown themes brought him but scant recognition even in his day, and they have since been well-nigh forgotten.
According to Immermann's own statement, he began Münchhausen without a shimmer of an idea as to how he would finish it; but he finished it, having in the meantime gone through a complete inner transformation, in a way that surprised even himself and greatly pleased his readers.
Immermann's sensitive and responsive nature thrilled with the general impulse, and he asked his father to let him join the army, but was told, peremptorily, not to interrupt the first year of his studies. He submitted, and plunged into the study of the literature of the Romanticists, which, in its remoteness from actuality, offered distraction from his disappointment.
She refused, but offered to live with him in free companionship. They joined their lives, pledging themselves not to enter other relations. They remained together until 1839, less than a year before Immermann's death, when he married a young girl of nineteen. Elisa left his house in sorrow and bitterness.
It is in a lovely spot; but do you remember the Schloss in Immermann's Neuer Munchausen? Well, it is that. A ruin; windows half broken and boarded up, the handsome steps in front fallen in, and all en suite. The rooms I saw were large and airy; but mud floors, white- washed walls, one chair, one stump bedstead, and praeterea nihil.
Its references are obscure, its satire abstruse, its humor vague. Even Ferdinand Freiligrath, Immermann's contemporary and friend, declined, on the ground of lack of familiarity with the allusions, to write a commentary to it.
In that little house, in a narrow street leading to the market, Heine was born; in that wretched little architectural abortion, the theatre, a critical audience listened to Immermann's works; and in the Kurzenstrasse was born Peter von Cornelius, the restorer of German art.
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