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Updated: June 21, 2025
There was no country on the face of the globe he had not seen, nor battle he had not been engaged in; he had killed more Moors than there are in Morocco and Tunis, and fought more single combats, according to his own account, than Garcilaso, Diego Garcia de Paredes and a thousand others he named, and out of all he had come victorious without losing a drop of blood.
His friends Garcilaso di Vega and Mendoza aided greatly in the formation of Spanish poetry, all three having studied the Italian school and Petrarch.
There was no country on the face of the globe he had not seen, nor battle he had not been engaged in; he had killed more Moors than there are in Morocco and Tunis, and fought more single combats, according to his own account, than Garcilaso, Diego Garcia de Paredes and a thousand others he named, and out of all he had come victorious without losing a drop of blood.
Apart from the dramatic or semi-dramatic work we have been reviewing, the pastoral verse which possesses the most natural and national character, though it may not be the earliest in date, is to be found in the poems of Francisco de Sâ de Miranda . He appears to have begun writing independently of the Italian school, and, even after he came under the influence of Garcilaso, to have preserved much of his natural simplicity and genuineness of feeling.
Behind him were Garcilaso and Mendoza with Standish, now fully dressed and with a bandage round his eyes, between them. "Does the Señora Cojuelo wish to say farewell to the lover who renounced her?" inquired Don Carlos, with a note of mockery in his voice. "I am now about to redeem my promise and have him escorted back unharmed to the Castillo de Ruiz."
His two brothers had united in sending an embassy to him, earnestly enjoining the expediency of cultivating friendly relations with the Spaniards. The following very extraordinary reply, which he returned, is given by Garcilaso de la Vega. And though he says he quotes from memory, still he pledges his word of honor, that it is a truthful record of the message Vitachuco sent back.
Men who, like Garcilaso de la Vega and Diego Hurtado de Mendoza, followed the Italian wars, had brought back from Italy the products of the post-Renaissance literature, which took root and flourished and even threatened to extinguish the native growths.
Garcilaso de la Vega relates of a certain Peruvian Inca, who seems to have been an "infidel" with reference to the orthodox mythology of his day, that he thought the Sun was not such a mighty god after all; for if he were, he would wander about the heavens at random instead of going forever, like a horse in a treadmill, along the same course.
Garcilaso himself, the half-Indian historian of Peru, says that the banana was well known in his native country before the conquest, and that the Indians say 'its origin is Ethiopia. In some strange way or other, then, long before Columbus set foot upon the low sandbank of Cat's Island, the banana had been transported from Africa or India to the Western hemisphere.
He probably had some direct knowledge of the Italians, for he writes: Liamos.... .... os pastores italianos Do bom velho Sanazarro. He may also have been influenced by Encina, most of whose work had already appeared. The first and foremost of those who deliberately based their style on the Italian was Garcilaso de la Vega, whose pastoral work dates from about 1526.
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