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Updated: June 16, 2025


It was Sunday, and I sat between Alma in her riding habit and my husband in his riding breeches, while we ran through the Porta San Giovanni, and past the osterie where the pleasure-loving Italian people were playing under the pergolas with their children, until we came to the meeting-ground of the Hunt, by the Trappist monastery of Tre Fontane.

At my brother Ludo's manorhouse on the banks of the Dahme, at his place Dolgenbrodt, in Mark Brandenburg, Fontane experienced all the attraction of the plain, which I have never felt more deeply than in that very spot and on a certain evening at Potsdam when the bells of the little church of Sakrow seemed to bid farewell to the sinking sun and invite him to return.

I wished to bring her personally the monthly allowance that her relatives used to send her from Denmark. I found her prematurely old, humbled by poverty, worn out by privation. How was it possible that she should be so badly off? Did she not receive the help that was sent from Copenhagen every month to uncle's best friend, M. Fontane, in the Rue Vivienne? Alas, no!

One sad old woman, who sits near the Quattro Fontane, and says her prayers and rattles her box, always touches my heart, there is such an air of forlornness and sweetness about her. As I was returning, last night, from a mass at San Giovanni in Laterano, an old man glared at us through great green goggles, to which Jealousy's would have yielded in size and color, and shook his box for a baiocco.

Over their bowed heads he stretches his aged hands, in apostolic benediction. Soon ends his imprisonment. At Tre Fontane, in a few days more, his weary body rests; but his immortal spirit mounts beyond the stars. At last the Christian knight comes to the crossing. The prediction of the augur at Brundisium has been strikingly fulfilled.

It leaves the necessary inferences to the reader, just as life leaves them to the observer. In the hands of a master like Fontane, this method is incomparable; nothing can supplant it. It is the only method available for the dramatist, who, however, can make it still more effective through histrionic portrayal.

This mouldering rococo villa is inhabited in summer by the Trappists of Tre Fontane, of that Abbey of St. Anastasia which was the suzerain of all Maremma, great part of Umbria and the Tuscan islands! At the end of their miserably cultivated little orto, presiding over the few leeks and garlics, on the balustrade towards Rome of all divinities, who but Hortorum Deus!

"Pauline," said May, with grave emphasis; "Nanni knew me." "You are sure?" "Perfectly. I saw it in his face, and, besides, that is all he could have meant by his message. You didn't hear that, did you?" "No; and he left you a message?" "Yes; when we landed at Quattro Fontane this morning, and found Mr. Daymond there did you notice that he seemed to have something to say to me?" "Yes; I noticed."

The great days had not yet come: Maestro Giorgio was but a youngster, and Orazio Fontane not born, nor the clever baker Prestino either, nor the famous Fra Xanto; but there was a Don Giorgio even then in Gubbio, of whose work, alas! one plate now at the Louvre is all we have; and here in the ducal city on the hill rich and noble things were already being made in the stout and lustrous majolica that was destined to acquire later on so wide a ceramic fame.

Many of our later German painters have learned to value the charm of such a subject, while of our writers Fontane has seized and very happily rendered all their witchery.

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