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Updated: May 3, 2025
The author calls himself Fileno Addiacciato, from which it would appear that he was a member of the pastoral academy of the Addiaccio, founded at Prato in 1539 by Agnolo Firenzuola.
Another composition of Tuscan origin is the Lilia, first printed in 1538, and composed throughout in polished octaves. It merely relates how the shepherd Fileno courted the fair Lilia, a certain rustic element being introduced in the persons of the herdsmen Crotolo and Tirso. It was printed at Venice in 1538, having probably been written some years earlier.
Defences by Giovanni Savio and Orlando Pescetti were printed at Venice and Verona respectively in 1601, while one at least, written by Gauges de Gozze of Pesaro, under the pseudonym of Fileno di Isauro, circulated in manuscript.
Aminta questions his fellow-shepherd Fileno as to the cause of his melancholy, and learns that it arises from his hopeless passion for a certain cruel nymph. His offer to undertake his friend's cure is met with the declaration, that of the two death were preferable.
Stronger than the affection for their lord which, when all is said, was none too great in Bologna was the deep-seated hatred of the clergy entertained by the Bolognese. This it was that rallied to Bentivogli such men as Fileno della Tuate, who actually hated him. But it was a choice of evils with Fileno and many of his kidney.
Soon there was produced at court, by a company of highborn ladies and gentlemen, two pastoral plays: "Il Satiro" and "La Disperazione di Fileno," so set to music that they could be sung or declaimed throughout. The author of the text was Signora Laura Guidiccioni, of the Lucchesini family, renowned in her day for her poetic gifts and brilliant attainments.
Epicuro's Mirzia tends towards the mythological drama; the Silvia written by one Fileno, which, like the Amaranta, turns on the temporary estrangement of two lovers, introduces considerable elements from the rustic performances; in Cazza's Erbusto the amorous skein is cut by the discovery of consanguinity and an ἀναγνώρισις after the manner of the Latin comedy.
It was freely rumoured that the charges against Ramiro by no means ended there, and in Bologna and from Bologna the truth of such a matter might well transpire, all things considered it was openly said that Ramiro had been in secret treaty with the Bentivogli, Orsini, and Vitelli, against the Duke of Valentinois: "Aveva provixione da Messer Zoane Bentivogli e da Orsini e Vitelozo contro el duca," writes Fileno della Tuate, who, it will be borne in mind, was no friend of the Borgia, and would be at no pains to find justification for the duke's deeds.
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